Hans Sieverding (1937) - Kopttage 16






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Description from the seller
Hans Sieverding (1937)
Edition 16
Oil on canvas
Signed on the back
74 x 64 cm (with frame)
70 x 60 cm (without frame)
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he probes intensely themes such as power, identity, nationalism, migration and the role of the media in shaping collective consciousness. His work is characterized by a critical, analytic approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with fragments of text. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image formation. His practice is deeply rooted in reflecting on German history and post-war European identity, but at the same time it has a distinctly international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and participated in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection.
Seller's Story
Hans Sieverding (1937)
Edition 16
Oil on canvas
Signed on the back
74 x 64 cm (with frame)
70 x 60 cm (without frame)
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he probes intensely themes such as power, identity, nationalism, migration and the role of the media in shaping collective consciousness. His work is characterized by a critical, analytic approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with fragments of text. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image formation. His practice is deeply rooted in reflecting on German history and post-war European identity, but at the same time it has a distinctly international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and participated in numerous exhibitions at home and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection.
