Jozef Jankovic (1937-2017) - Zonder titel






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Jozef Jankovic created a 2002 original mixed‑media work on panel titled Zonder titel, 100 × 100 cm, hand‑signed, in a reasonable condition and originating from Slovakia, in an abstract style.
Description from the seller
This work in mixed media on panel is by the Slovak artist Jozef Jankovič (1937-2017), who is regarded as one of the most important post-war artists of Slovakia. From the 1960s onward, his work focused on the position of the individual within a repressive political system. After his training at the Academy of Fine Arts in Bratislava, he developed his own visual language in which figurative and abstract forms come together. His fragmented, distorted human figures, often trapped in constructions, nets, or precarious balance situations, are characteristic. Through this he depicted themes such as freedom, oppression, and human vulnerability. During the communist Normalization regime, his work was barred from public exhibitions for many years, after which he found alternative paths in architecture, jewelry design, and computer art. His oeuvre testifies to a continual search for human dignity and individual freedom.
Dimensions: 100 x 100 cm
Signed and dated on the back
Provenance: Private collection, Netherlands
Viewing is of course possible. In addition, we have our own in-house framing shop, which is celebrating its 85th anniversary year. Furthermore, we make use of restorers from the trade association: 'Restauratoren Nederland'. If you would like to make use of this, we would of course be happy to hear from you.
Seller's Story
This work in mixed media on panel is by the Slovak artist Jozef Jankovič (1937-2017), who is regarded as one of the most important post-war artists of Slovakia. From the 1960s onward, his work focused on the position of the individual within a repressive political system. After his training at the Academy of Fine Arts in Bratislava, he developed his own visual language in which figurative and abstract forms come together. His fragmented, distorted human figures, often trapped in constructions, nets, or precarious balance situations, are characteristic. Through this he depicted themes such as freedom, oppression, and human vulnerability. During the communist Normalization regime, his work was barred from public exhibitions for many years, after which he found alternative paths in architecture, jewelry design, and computer art. His oeuvre testifies to a continual search for human dignity and individual freedom.
Dimensions: 100 x 100 cm
Signed and dated on the back
Provenance: Private collection, Netherlands
Viewing is of course possible. In addition, we have our own in-house framing shop, which is celebrating its 85th anniversary year. Furthermore, we make use of restorers from the trade association: 'Restauratoren Nederland'. If you would like to make use of this, we would of course be happy to hear from you.
