Gabriel Perelle (1604-1677) - Landscape with wayfarers






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Gabriel Perelle, Landscape with wayfarers, a 17th-century French engraving of a bucolic landscape, dated 1680, in good condition.
Description from the seller
Fascinating 17th-century engraved etching depicting a bucolic landscape animated by travelers, magnificently conceived and etched by the French artist Gabriel Perelle (Vernon, 1604 – Paris, 1677) and published in Paris by the famous printing workshop of Pierre Drevet (1663–1738). The work fully embodies the great tradition of the French classical and ideal landscape of the 1600s, heavily influenced by the atmospheres of Nicolas Poussin and Claude Lorrain.
Subject
The composition is dominated at the center by an imposing and majestic group of ancient trees, characterized by vigorous, twisted trunks and dense foliage rendered with extraordinary graphic skill. The rural landscape is brought to life by moving figures that give a sense of narration and depth to the scene: on the left, along a path that runs beside a hill, two wayfarers move, one of them on horseback; on the opposite side, in the mid-ground on the right, a pair of figures on foot head toward the open horizon. In the background, delicate chiaroscuro passes describe a sky pierced by broad clouds, giving a serene and timeless atmosphere.
Inscriptions and Signatures
Inscription on the bottom right plate: “Drevet excu.” (or excudit), identifying Pierre Drevet as the publisher and distributor of the matrix.
Condition and Technical Characteristics
The sheet is in generally excellent condition. The etching technique yields a sharp, clean impression rich in chiaroscuro contrast, particularly evident in the dense and vigorous cross-hatching that describes the shadow areas of the dense foreground vegetation and the texture of the trunks. The support is a solid laid paper of the period, contemporary with the print run (late 17th – early 18th century). The sheet preserves the original margins beyond the border line, keeping perfectly intact and readable the editorial inscription at the bottom right. No tears, invasive restorations, water damage, or foxing are detected that could detract from the aesthetic reading or commercial value of the work."} } } }
Fascinating 17th-century engraved etching depicting a bucolic landscape animated by travelers, magnificently conceived and etched by the French artist Gabriel Perelle (Vernon, 1604 – Paris, 1677) and published in Paris by the famous printing workshop of Pierre Drevet (1663–1738). The work fully embodies the great tradition of the French classical and ideal landscape of the 1600s, heavily influenced by the atmospheres of Nicolas Poussin and Claude Lorrain.
Subject
The composition is dominated at the center by an imposing and majestic group of ancient trees, characterized by vigorous, twisted trunks and dense foliage rendered with extraordinary graphic skill. The rural landscape is brought to life by moving figures that give a sense of narration and depth to the scene: on the left, along a path that runs beside a hill, two wayfarers move, one of them on horseback; on the opposite side, in the mid-ground on the right, a pair of figures on foot head toward the open horizon. In the background, delicate chiaroscuro passes describe a sky pierced by broad clouds, giving a serene and timeless atmosphere.
Inscriptions and Signatures
Inscription on the bottom right plate: “Drevet excu.” (or excudit), identifying Pierre Drevet as the publisher and distributor of the matrix.
Condition and Technical Characteristics
The sheet is in generally excellent condition. The etching technique yields a sharp, clean impression rich in chiaroscuro contrast, particularly evident in the dense and vigorous cross-hatching that describes the shadow areas of the dense foreground vegetation and the texture of the trunks. The support is a solid laid paper of the period, contemporary with the print run (late 17th – early 18th century). The sheet preserves the original margins beyond the border line, keeping perfectly intact and readable the editorial inscription at the bottom right. No tears, invasive restorations, water damage, or foxing are detected that could detract from the aesthetic reading or commercial value of the work."} } } }
