Roger Muhl (1929-2008) - Une pâle lueur rose






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Roger Muhl, Une pâle lueur rose, is a limited edition lithograph from 1986 on vélin paper (42 x 32 cm), numbered and hand-signed by the artist, printed at the Mourlot workshop in Paris, in excellent condition.
Description from the seller
Roger MUHL: A Pale Pink Glimmer
Original lithograph on vellum paper measuring 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on presses of the Mourlot workshop, Paris.
Artwork in perfect condition, never framed.
We provide meticulous packaging, international tracking, insurance, and express shipping for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, was a French painter, draftsman, and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from which he graduated in 1948 to move to the Belfort region. He settled in 1954 in Montreux-Château and held his first Paris exhibition at Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He mainly worked on the French Riviera. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; his impasto served his technique to establish the perspectives suggested by color alone.
Seller's Story
Roger MUHL: A Pale Pink Glimmer
Original lithograph on vellum paper measuring 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on presses of the Mourlot workshop, Paris.
Artwork in perfect condition, never framed.
We provide meticulous packaging, international tracking, insurance, and express shipping for all our deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, was a French painter, draftsman, and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from which he graduated in 1948 to move to the Belfort region. He settled in 1954 in Montreux-Château and held his first Paris exhibition at Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. He mainly worked on the French Riviera. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; his impasto served his technique to establish the perspectives suggested by color alone.
