Marie Laurencin (1883-1956) - Femme à la mandoline (sans prix de réserve)






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Marie Laurencin, Femme à la mandoline, an aquatint in the Art Déco style from 1930–1940, in a limited edition, measuring 33 × 27 cm, France, unsigned, in good condition, sold by Galerie.
Description from the seller
Charming original aquatint etching by Marie Laurencin.
Title: Woman with the Mandolin
Artist: Marie Laurencin (1883-1956)
Technique: Etching / aquatint
Signature: Not signed.
Plate format: 22x16 cm
Sheet format: 33x27 cm
Condition: Good condition. Rust-colored passe-partout, engraving intact.
Marie Laurencin, born October 31, 1883 in the 10th arrondissement of Paris and died June 8, 1956 in the 7th arrondissement of Paris, is a French figurative painter, but also an engraver and an illustrator, closely associated with the birth of modern art and the School of Paris. A decorator of neoclassical ballets aiming, just like her admirer Max Jacob, to transgress artistic genres, she was also a writer of epistolary works with disconcerting whimsy and she composed poems in free verse, inseparable, in the course of her creative process, from the pictorial expression of the fantastical scenes she depicts.
Seller's Story
Charming original aquatint etching by Marie Laurencin.
Title: Woman with the Mandolin
Artist: Marie Laurencin (1883-1956)
Technique: Etching / aquatint
Signature: Not signed.
Plate format: 22x16 cm
Sheet format: 33x27 cm
Condition: Good condition. Rust-colored passe-partout, engraving intact.
Marie Laurencin, born October 31, 1883 in the 10th arrondissement of Paris and died June 8, 1956 in the 7th arrondissement of Paris, is a French figurative painter, but also an engraver and an illustrator, closely associated with the birth of modern art and the School of Paris. A decorator of neoclassical ballets aiming, just like her admirer Max Jacob, to transgress artistic genres, she was also a writer of epistolary works with disconcerting whimsy and she composed poems in free verse, inseparable, in the course of her creative process, from the pictorial expression of the fantastical scenes she depicts.
