Jean-Claude Richard, abate di Saint-Non (1727-1791), after JH Fragonard - Centauro e Menade e Centaura con lira e giovane baccante

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David Elberg
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Selected by David Elberg

Spent five years as a Classic Art Expert and three years as a commissaire-priseur.

Estimate  € 150 - € 200
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Centauro e Menade e Centaura con lira e giovane baccante, an aquatint print on laid paper by Jean-Claude Richard, abate di Saint-Non (after JH Fragonard), 510 × 330 mm, from the 18th century Italy, in good condition and signed on the plate.

AI-assisted summary

Description from the seller

2 engravings on a single sheet, a copperplate print on laid paper with a watermark, signed and dated, good plate impression.

Support: laid paper with watermark "mount surmounted by a cross" and letters "S" and "I";
State: excellent black-and-white inking, good preservation with slight traces of foxing and browning as in the photos;

Insured shipping via Bartolini/DPD courier. To use the insurance coverage, any damage to the package must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to activate the insurance reimbursement procedure.

Fragonard Jean Honoré (1732/1806): draughtsman
De Saint-non Richard Jean Claude (1727/1791): engraver

SAINT-NON, Jean-Claude Richard, abbot of (1727-1791).
Collection of views, landscapes, ancient fragments and historical subjects by Grifonis. Paris, undated [circa 1750/1770]. Beautiful copy with the Stroganov coat of arms.

Most of the compositions are inspired by masters of Italian and French painting, including Hubert Robert and Jean-Honoré Fragonard. It may happen that the composition of the collection varies from one copy to another – it is quite complete with all the suites, thus providing an overview of the masterpieces preserved in Rome, Naples, Bologna and Venice. This is a collection of particular importance for the history of engraving: as Gordon Ray states, "no other place has so many of those who could be called aquatint incunabula, dating from the late 1760s to early 1770s, between two covers". Ray, The Art of the French Illustrated Book from 1700 to 1914, I, 68; Brunet, V, col. 56; Cohen-de Ricci, col. 930-931. In-folio (490 x 319 mm). First edition, first printing, without the mention "La veuve Lavoye" on the plates.

295 engraved plates of varying format, including: collection of views, landscapes, ancient fragments and historical subjects of the Grifoni (1 title and 40 plates); Fragments selected from the most interesting paintings and works in the Palaces and Churches of Italy.

First suite: Rome. (1 title and 27 plates);
Second suite: Rome. (1 title and 25 plates);
Fourth suite: Venice. (1 title and 37 plates);
Third suite: Bologna. (1 title and 39 plates);
Second suite: Naples. (1 title and 29 plates);
Second Naples suite (1 title and 47 plates);
Various subjects (37 plates).
Wikipedia

Seller's Story

The seller recommends that when collecting the shipment, you report any anomalies, damaged and/or opened packages to the courier. The insurance is not liable if these reports are not made. Thank you
Translated by Google Translate

2 engravings on a single sheet, a copperplate print on laid paper with a watermark, signed and dated, good plate impression.

Support: laid paper with watermark "mount surmounted by a cross" and letters "S" and "I";
State: excellent black-and-white inking, good preservation with slight traces of foxing and browning as in the photos;

Insured shipping via Bartolini/DPD courier. To use the insurance coverage, any damage to the package must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to activate the insurance reimbursement procedure.

Fragonard Jean Honoré (1732/1806): draughtsman
De Saint-non Richard Jean Claude (1727/1791): engraver

SAINT-NON, Jean-Claude Richard, abbot of (1727-1791).
Collection of views, landscapes, ancient fragments and historical subjects by Grifonis. Paris, undated [circa 1750/1770]. Beautiful copy with the Stroganov coat of arms.

Most of the compositions are inspired by masters of Italian and French painting, including Hubert Robert and Jean-Honoré Fragonard. It may happen that the composition of the collection varies from one copy to another – it is quite complete with all the suites, thus providing an overview of the masterpieces preserved in Rome, Naples, Bologna and Venice. This is a collection of particular importance for the history of engraving: as Gordon Ray states, "no other place has so many of those who could be called aquatint incunabula, dating from the late 1760s to early 1770s, between two covers". Ray, The Art of the French Illustrated Book from 1700 to 1914, I, 68; Brunet, V, col. 56; Cohen-de Ricci, col. 930-931. In-folio (490 x 319 mm). First edition, first printing, without the mention "La veuve Lavoye" on the plates.

295 engraved plates of varying format, including: collection of views, landscapes, ancient fragments and historical subjects of the Grifoni (1 title and 40 plates); Fragments selected from the most interesting paintings and works in the Palaces and Churches of Italy.

First suite: Rome. (1 title and 27 plates);
Second suite: Rome. (1 title and 25 plates);
Fourth suite: Venice. (1 title and 37 plates);
Third suite: Bologna. (1 title and 39 plates);
Second suite: Naples. (1 title and 29 plates);
Second Naples suite (1 title and 47 plates);
Various subjects (37 plates).
Wikipedia

Seller's Story

The seller recommends that when collecting the shipment, you report any anomalies, damaged and/or opened packages to the courier. The insurance is not liable if these reports are not made. Thank you
Translated by Google Translate

Details

Artist
Jean-Claude Richard, abate di Saint-Non (1727-1791), after JH Fragonard
Sold by
Owner or reseller
Title of artwork
Centauro e Menade e Centaura con lira e giovane baccante
Technique
Aquatint
Signature
Plate signed
Country of origin
Italy
Condition
Good condition
Height
510 mm
Width
330 mm
Period
18th century
Sold with frame
No
Sold by
ItalyVerified
1987
Objects sold
100%
protop

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