Jean-Claude Richard, abate di Saint-Non (1727-1791), after JH Fragonard - Centauro Chirone insegna la cetra ad Achille e La Venditrice di Amorini

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David Elberg
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Selected by David Elberg

Spent five years as a Classic Art Expert and three years as a commissaire-priseur.

Estimate  € 150 - € 200
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Etching on laid paper, an aquatint, titled Centauro Chirone insegna la cetra ad Achille e La Venditrice di Amorini, by Jean-Claude Richard, abate di Saint-Non after JH Fragonard; 510 mm high by 330 mm wide, signed on the plate, in good condition and dating from the 18th century in Italy.

AI-assisted summary

Description from the seller

2 impressions on a single sheet, the only copperplate print on laid paper with watermark, signed and dated, good imprinting of the plate.

Support: Laid paper and filoni, watermark "mount surmounted by a cross" and letters "S" and "I";
Status: Excellent inking in black and white, good condition with slight traces of foxing and browning as shown in the photo;

Insured shipping via Bartolini/DPD courier. To use the insurance coverage, any damage to the package must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to activate the insurance reimbursement procedure.

Fragonard Jean Honoré (1732/ 1806): designer
De Saint-non Richard Jean Claude (1727/ 1791): engraver

SAINT-NON, Jean-Claude Richard, abbot of (1727-1791).
Collection of views, landscapes, ancient fragments and historical subjects of the Griffoni. Paris, undated [circa 1750/1770]. Beautiful copy with the Stroganov coat of arms.
Most of the compositions are inspired by masters of Italian and French painting, including Hubert Robert and Jean-Honoré Fragonard. It may happen that the collection’s composition varies from copy to copy — it is fairly complete with all the suites, thus providing an overview of the masterpieces kept in Rome, Naples, Bologna and Venice. It is a collection particularly important for the history of engraving: as Gordon Ray states, “nowhere else can one find so many of those who could be called incunabula in aquatint, dated between the late 1760s and early 1770s, between two covers.” Ray, The Art of the French Illustrated Book from 1700 to 1914, I, 68; Brunet, V, col. 56; Cohen-de Ricci, cols. 930-931. Folio (490 x 319 mm). First edition, first printing, without the mention "La veuve Lavoye" on the plates. 295 engraved plates of various formats, including: collection of views, landscapes, ancient fragments and historical subjects of the Griffoni (1 title and 40 plates); Selected fragments from the paintings and artworks most interesting of the Palaces and Churches of Italy. First suite: Rome. (1 title and 27 plates); Second suite: Rome. (1 title and 25 plates); Fourth suite: Venice. (1 title and 37 plates); Third suite: Bologna. (1 title and 39 plates); Second suite: Naples. (1 title and 29 plates); Second Naples suite (1 title and 47 plates); Various subjects (37 plates).
Wikipedia

Seller's Story

The seller recommends that when collecting the shipment, you report any anomalies, damaged and/or opened packages to the courier. The insurance is not liable if these reports are not made. Thank you
Translated by Google Translate

2 impressions on a single sheet, the only copperplate print on laid paper with watermark, signed and dated, good imprinting of the plate.

Support: Laid paper and filoni, watermark "mount surmounted by a cross" and letters "S" and "I";
Status: Excellent inking in black and white, good condition with slight traces of foxing and browning as shown in the photo;

Insured shipping via Bartolini/DPD courier. To use the insurance coverage, any damage to the package must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to activate the insurance reimbursement procedure.

Fragonard Jean Honoré (1732/ 1806): designer
De Saint-non Richard Jean Claude (1727/ 1791): engraver

SAINT-NON, Jean-Claude Richard, abbot of (1727-1791).
Collection of views, landscapes, ancient fragments and historical subjects of the Griffoni. Paris, undated [circa 1750/1770]. Beautiful copy with the Stroganov coat of arms.
Most of the compositions are inspired by masters of Italian and French painting, including Hubert Robert and Jean-Honoré Fragonard. It may happen that the collection’s composition varies from copy to copy — it is fairly complete with all the suites, thus providing an overview of the masterpieces kept in Rome, Naples, Bologna and Venice. It is a collection particularly important for the history of engraving: as Gordon Ray states, “nowhere else can one find so many of those who could be called incunabula in aquatint, dated between the late 1760s and early 1770s, between two covers.” Ray, The Art of the French Illustrated Book from 1700 to 1914, I, 68; Brunet, V, col. 56; Cohen-de Ricci, cols. 930-931. Folio (490 x 319 mm). First edition, first printing, without the mention "La veuve Lavoye" on the plates. 295 engraved plates of various formats, including: collection of views, landscapes, ancient fragments and historical subjects of the Griffoni (1 title and 40 plates); Selected fragments from the paintings and artworks most interesting of the Palaces and Churches of Italy. First suite: Rome. (1 title and 27 plates); Second suite: Rome. (1 title and 25 plates); Fourth suite: Venice. (1 title and 37 plates); Third suite: Bologna. (1 title and 39 plates); Second suite: Naples. (1 title and 29 plates); Second Naples suite (1 title and 47 plates); Various subjects (37 plates).
Wikipedia

Seller's Story

The seller recommends that when collecting the shipment, you report any anomalies, damaged and/or opened packages to the courier. The insurance is not liable if these reports are not made. Thank you
Translated by Google Translate

Details

Artist
Jean-Claude Richard, abate di Saint-Non (1727-1791), after JH Fragonard
Sold by
Owner or reseller
Title of artwork
Centauro Chirone insegna la cetra ad Achille e La Venditrice di Amorini
Technique
Aquatint
Signature
Plate signed
Country of origin
Italy
Condition
Good condition
Height
510 mm
Width
330 mm
Period
18th century
Sold with frame
No
Sold by
ItalyVerified
1981
Objects sold
100%
protop

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