Gianfranco Ferroni (1927-2001) - Oggetti sullo studio






Spent five years as a Classic Art Expert and three years as a commissaire-priseur.
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Description from the seller
Artist: Gianfranco Ferroni (pencil signature reading “ferroni” in the lower right)
Title of the work: Objects in the Studio (or Working Table)
Technique: Original color Lithograph (produced in multiple colors)
Edition size: 68 / 120 (edition number 68 on a total run of only 120 sheets marked in Arabic numerals, written in pencil in the lower left)
Printer/Publisher: La Conchiglia, Rome (validated by the unmistakable square blind stamp with the geometric X inscribed, visible in the corner of the paper).
La Conchiglia was a very important art print workshop that closely collaborated with the great masters of postwar Italian art.
Iconography and Style: It represents one of his iconic “white” still lifes in the atelier.
On the table stand jars with brushes soaking, squeezed tubes of color in the foreground, cups and working containers. A blotch of paint (a “splatter”) on the background wall breaks the strict geometry of the composition, introducing an element of gestural spontaneity within his typical, rigorous control of space.
Overall condition is excellent:
The paper retains a healthy tone, without significant yellowing or unsightly damp stains (foxing).
The deckle and sheet margins are intact, preserving the original fiber.
The blind stamp is impressed clearly, without crush or deformation of the surrounding paper.
Artist: Gianfranco Ferroni (pencil signature reading “ferroni” in the lower right)
Title of the work: Objects in the Studio (or Working Table)
Technique: Original color Lithograph (produced in multiple colors)
Edition size: 68 / 120 (edition number 68 on a total run of only 120 sheets marked in Arabic numerals, written in pencil in the lower left)
Printer/Publisher: La Conchiglia, Rome (validated by the unmistakable square blind stamp with the geometric X inscribed, visible in the corner of the paper).
La Conchiglia was a very important art print workshop that closely collaborated with the great masters of postwar Italian art.
Iconography and Style: It represents one of his iconic “white” still lifes in the atelier.
On the table stand jars with brushes soaking, squeezed tubes of color in the foreground, cups and working containers. A blotch of paint (a “splatter”) on the background wall breaks the strict geometry of the composition, introducing an element of gestural spontaneity within his typical, rigorous control of space.
Overall condition is excellent:
The paper retains a healthy tone, without significant yellowing or unsightly damp stains (foxing).
The deckle and sheet margins are intact, preserving the original fiber.
The blind stamp is impressed clearly, without crush or deformation of the surrounding paper.
