Antoine Monnier (XIX) - La Mort de la Sorcière 1877 - Limited edition
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Description from the seller
RARE ORIGINAL FRENCH ETCHING FROM A LIMITED EDITION OF ONLY 380 COPIES — PARIS, 1877
LA MORT DE LA SORCIÈRE
THE DEATH OF THE WITCH
An exceptionally atmospheric original nineteenth-century etching by the French writer and artist Antoine Monnier, created for his remarkable 1877 work “Le Haschisch”.
Published in Paris by Léon Willem, the original edition was strictly limited to only 380 copies. This impression is printed on substantial natural-white papier vélin, the fine wove paper used for the limited issue of 340 copies.
It is a genuine etching printed in Paris in 1877 from Monnier’s original plate — not a modern reproduction or later decorative print.
RARITY AND COLLECTOR’S INTEREST
“La Mort de la Sorcière” is one of the most immediately striking and macabre compositions associated with Antoine Monnier’s “Le Haschisch”, an unusual bibliophile work bringing together prose, poetry, dark Romanticism, visionary imagery and altered states of consciousness.
Monnier dedicated the work to Charles Baudelaire, whose influence can be felt in its fascination with death, hallucination, the occult and the hidden poetry of disturbing subjects.
The original edition comprised only 380 copies, of which 340 were issued on papier vélin. Complete copies have become scarce, and individual original etchings with the full printed title, artist’s inscription, printer’s imprint and broad margins are increasingly difficult to find.
THE TALE BEHIND THE IMAGE
The etching illustrates Monnier’s short prose tale “La Mort de la Sorcière” — “The Death of the Witch”.
In the story, an old witch lies dead upon the muddy floor of her miserable dwelling. She has collapsed while preparing a potion intended to prolong her life. Bones are still being calcined in an iron tripod, their ashes destined to be mixed with plants possessing mysterious powers.
The witch’s familiar animals cannot understand why their mistress remains motionless with her eyes open. Three cats circle around her and approach anxiously, only to discover that her body has become cold. Pluton, the black cat, climbs onto a stool and fixes the witch’s glassy eyes with his luminous green gaze.
Two ravens fly through the room, an owl watches from the top of an old leather chair, and a scorpion, salamander and earthworm move restlessly across the floor. Monnier describes them as a strange household suddenly disturbed by an event beyond their understanding.
At daybreak, two men arrive carrying a long white wooden box. They place the witch inside and hammer the coffin shut while the terrified creatures hide around the room.
Once the coffin has been carried away, the animals begin to contemplate the uncertain fate awaiting them. Then the scorpion pushes a burning coal into a heap of straw and the abandoned dwelling catches fire.
The ravens escape towards a distant gallows. The cats flee into the forest, where they will become wild again. The earthworm burrows into the ground to rejoin the witch beneath her shroud. The salamander runs through the flames, while the scorpion ends its own life with its venomous sting.
Above them, the owl flies towards the witches’ Sabbath to announce to the horned Prince the death of the witch.
THE COMPOSITION
Monnier translates the entire tale into a densely constructed nocturnal interior.
The witch’s body occupies the foreground, surrounded by her animals and magical implements. A brazier continues to burn beside her, sending smoke into the darkness. Three cats, two dark birds, an owl and the smaller creatures described in the story inhabit different corners of the room.
The large empty chair, heavy drapery, shelves of mysterious vessels, broom and iron tripod transform the humble dwelling into an intimate cabinet of occult curiosities.
The animals are not merely decorative symbols. Each participates in the narrative, reacting to the death of the woman upon whom their protected existence depended. This gives the scene an unusual mixture of macabre fantasy, melancholy and almost domestic tenderness.
Dense cross-hatching and repeated layers of etched line create velvety shadows, while the pale body, the empty chair and the smoke from the brazier emerge dramatically from the darkness.
BIBLIOPHILE ORIGIN
The etching was created for:
“Le Haschisch. Contes en prose, sonnets et poèmes fantaisistes”
Text and etchings by Antoine Monnier
Published by Léon Willem
Paris, 1877
The plate was printed by Auguste Delâtre, one of the most respected Parisian intaglio printers of the nineteenth century.
The original inscriptions remain clearly visible beneath the composition:
“ANTOINE MONNIER” at lower left
“LA MORT DE LA SORCIÈRE” at lower centre
“Imp. DELÂTRE” at lower right
TECHNIQUE AND IMPRESSION
Original etching / eau-forte printed in black ink on substantial natural-white papier vélin.
The impression is dark, crisp and richly detailed. Monnier’s fine etched lines and extensive cross-hatching remain clearly defined, including throughout the deepest areas of shadow.
A strong plate mark surrounds the composition and inscriptions and remains clearly visible from both the front and reverse of the sheet. This relief was produced by the considerable pressure required during the original intaglio printing process.
The broad margins preserve the physical presence of the original sheet and provide ample space for professional conservation mounting and framing.
DETAILS
Artist and etcher: Antoine Monnier
Title: La Mort de la Sorcière
English title: The Death of the Witch
Date: 1877
Technique: Original etching / eau-forte
Printer: Auguste Delâtre
Publisher: Léon Willem
Original publication: Le Haschisch
Edition: 380 copies in total, including 340 on papier vélin
Paper: Natural-white papier vélin / fine wove paper
Country of origin: France
Signature: Artist’s name printed within the original plate
Frame: Unframed
DIMENSIONS
Sheet: 31.5 × 24.7 cm
Approximately 12.4 × 9.7 inches
Printed composition: 19.3 × 14.3 cm
Approximately 7.6 × 5.6 inches
CONDITION
Good antique condition.
The sheet is complete and well preserved, with broad original margins and a strong, sharply defined impression. The image, title and printed inscriptions remain clear and attractive.
The paper presents light age-related toning, a few small scattered spots and faint handling marks, predominantly visible in the margins and on the reverse. There is some light discoloration and minor wear along the upper edge, with a few very small edge nicks and shallow creases, all clearly documented in the photographs.
These traces remain outside the printed composition and are consistent with the age and bibliophile origin of the sheet. No losses or significant damage affect the image, title or inscriptions.
The pronounced plate mark remains intact and clearly visible on both sides.
Please examine all photographs carefully. They show the actual original etching offered and form an integral part of the condition description.
SHIPPING
Carefully packed flat with rigid protection.
Tracked and insured shipping.
RARE ORIGINAL FRENCH ETCHING FROM A LIMITED EDITION OF ONLY 380 COPIES — PARIS, 1877
LA MORT DE LA SORCIÈRE
THE DEATH OF THE WITCH
An exceptionally atmospheric original nineteenth-century etching by the French writer and artist Antoine Monnier, created for his remarkable 1877 work “Le Haschisch”.
Published in Paris by Léon Willem, the original edition was strictly limited to only 380 copies. This impression is printed on substantial natural-white papier vélin, the fine wove paper used for the limited issue of 340 copies.
It is a genuine etching printed in Paris in 1877 from Monnier’s original plate — not a modern reproduction or later decorative print.
RARITY AND COLLECTOR’S INTEREST
“La Mort de la Sorcière” is one of the most immediately striking and macabre compositions associated with Antoine Monnier’s “Le Haschisch”, an unusual bibliophile work bringing together prose, poetry, dark Romanticism, visionary imagery and altered states of consciousness.
Monnier dedicated the work to Charles Baudelaire, whose influence can be felt in its fascination with death, hallucination, the occult and the hidden poetry of disturbing subjects.
The original edition comprised only 380 copies, of which 340 were issued on papier vélin. Complete copies have become scarce, and individual original etchings with the full printed title, artist’s inscription, printer’s imprint and broad margins are increasingly difficult to find.
THE TALE BEHIND THE IMAGE
The etching illustrates Monnier’s short prose tale “La Mort de la Sorcière” — “The Death of the Witch”.
In the story, an old witch lies dead upon the muddy floor of her miserable dwelling. She has collapsed while preparing a potion intended to prolong her life. Bones are still being calcined in an iron tripod, their ashes destined to be mixed with plants possessing mysterious powers.
The witch’s familiar animals cannot understand why their mistress remains motionless with her eyes open. Three cats circle around her and approach anxiously, only to discover that her body has become cold. Pluton, the black cat, climbs onto a stool and fixes the witch’s glassy eyes with his luminous green gaze.
Two ravens fly through the room, an owl watches from the top of an old leather chair, and a scorpion, salamander and earthworm move restlessly across the floor. Monnier describes them as a strange household suddenly disturbed by an event beyond their understanding.
At daybreak, two men arrive carrying a long white wooden box. They place the witch inside and hammer the coffin shut while the terrified creatures hide around the room.
Once the coffin has been carried away, the animals begin to contemplate the uncertain fate awaiting them. Then the scorpion pushes a burning coal into a heap of straw and the abandoned dwelling catches fire.
The ravens escape towards a distant gallows. The cats flee into the forest, where they will become wild again. The earthworm burrows into the ground to rejoin the witch beneath her shroud. The salamander runs through the flames, while the scorpion ends its own life with its venomous sting.
Above them, the owl flies towards the witches’ Sabbath to announce to the horned Prince the death of the witch.
THE COMPOSITION
Monnier translates the entire tale into a densely constructed nocturnal interior.
The witch’s body occupies the foreground, surrounded by her animals and magical implements. A brazier continues to burn beside her, sending smoke into the darkness. Three cats, two dark birds, an owl and the smaller creatures described in the story inhabit different corners of the room.
The large empty chair, heavy drapery, shelves of mysterious vessels, broom and iron tripod transform the humble dwelling into an intimate cabinet of occult curiosities.
The animals are not merely decorative symbols. Each participates in the narrative, reacting to the death of the woman upon whom their protected existence depended. This gives the scene an unusual mixture of macabre fantasy, melancholy and almost domestic tenderness.
Dense cross-hatching and repeated layers of etched line create velvety shadows, while the pale body, the empty chair and the smoke from the brazier emerge dramatically from the darkness.
BIBLIOPHILE ORIGIN
The etching was created for:
“Le Haschisch. Contes en prose, sonnets et poèmes fantaisistes”
Text and etchings by Antoine Monnier
Published by Léon Willem
Paris, 1877
The plate was printed by Auguste Delâtre, one of the most respected Parisian intaglio printers of the nineteenth century.
The original inscriptions remain clearly visible beneath the composition:
“ANTOINE MONNIER” at lower left
“LA MORT DE LA SORCIÈRE” at lower centre
“Imp. DELÂTRE” at lower right
TECHNIQUE AND IMPRESSION
Original etching / eau-forte printed in black ink on substantial natural-white papier vélin.
The impression is dark, crisp and richly detailed. Monnier’s fine etched lines and extensive cross-hatching remain clearly defined, including throughout the deepest areas of shadow.
A strong plate mark surrounds the composition and inscriptions and remains clearly visible from both the front and reverse of the sheet. This relief was produced by the considerable pressure required during the original intaglio printing process.
The broad margins preserve the physical presence of the original sheet and provide ample space for professional conservation mounting and framing.
DETAILS
Artist and etcher: Antoine Monnier
Title: La Mort de la Sorcière
English title: The Death of the Witch
Date: 1877
Technique: Original etching / eau-forte
Printer: Auguste Delâtre
Publisher: Léon Willem
Original publication: Le Haschisch
Edition: 380 copies in total, including 340 on papier vélin
Paper: Natural-white papier vélin / fine wove paper
Country of origin: France
Signature: Artist’s name printed within the original plate
Frame: Unframed
DIMENSIONS
Sheet: 31.5 × 24.7 cm
Approximately 12.4 × 9.7 inches
Printed composition: 19.3 × 14.3 cm
Approximately 7.6 × 5.6 inches
CONDITION
Good antique condition.
The sheet is complete and well preserved, with broad original margins and a strong, sharply defined impression. The image, title and printed inscriptions remain clear and attractive.
The paper presents light age-related toning, a few small scattered spots and faint handling marks, predominantly visible in the margins and on the reverse. There is some light discoloration and minor wear along the upper edge, with a few very small edge nicks and shallow creases, all clearly documented in the photographs.
These traces remain outside the printed composition and are consistent with the age and bibliophile origin of the sheet. No losses or significant damage affect the image, title or inscriptions.
The pronounced plate mark remains intact and clearly visible on both sides.
Please examine all photographs carefully. They show the actual original etching offered and form an integral part of the condition description.
SHIPPING
Carefully packed flat with rigid protection.
Tracked and insured shipping.
Details
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Owner or reseller
Artist
Antoine Monnier (XIX)
Title of artwork
La Mort de la Sorcière 1877 - Limited edition
Technique
Etching
Signature
Plate signed
Country of origin
France
Year
1877
Condition
Good condition
Height
24.7 cm
Width
31.5 cm
Style
Romanticism
Sold with frame
No
Period
19th century
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