Anthonie Waterloo (c.1610-1690) - Il Ponte di legno Tortuoso






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An etching by Anthonie Waterloo, titled Il Ponte di legno Tortuoso, dating from the XVII century, technique aquaforte, signed on the plate, in good condition, on laid paper, origin Netherlands, sheet size 107 × 124 mm.
Description from the seller
Condition: Excellent print impression, good conservation with slight signs of foxing and browning. The paper shows a light and natural browning due to age, narrow margins with clearly visible plate marks, all as in the photo;
Support: laid rag paper and filoni;
Shipping: INSURED shipment via Bartolini/DPD courier. To benefit from the insurance coverage, any damage to the package must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to initiate the insurance refund procedure.
Provenance: Provenance from private collection;
Anthonie Waterloo (baptized in Lille on 6 May 1609 and buried in Utrecht on 23 October 1690) was one of the most prolific and esteemed landscape painters of the Dutch Golden Age. While he is registered in contemporary documents mainly as a painter and art dealer, his current fame and his historical legacy are inextricably linked to his extraordinary graphic production as a draughtsman and copperplate engraver.
Seller's Story
Condition: Excellent print impression, good conservation with slight signs of foxing and browning. The paper shows a light and natural browning due to age, narrow margins with clearly visible plate marks, all as in the photo;
Support: laid rag paper and filoni;
Shipping: INSURED shipment via Bartolini/DPD courier. To benefit from the insurance coverage, any damage to the package must be contested and reported to the courier at the time of delivery. Otherwise, it will not be possible to initiate the insurance refund procedure.
Provenance: Provenance from private collection;
Anthonie Waterloo (baptized in Lille on 6 May 1609 and buried in Utrecht on 23 October 1690) was one of the most prolific and esteemed landscape painters of the Dutch Golden Age. While he is registered in contemporary documents mainly as a painter and art dealer, his current fame and his historical legacy are inextricably linked to his extraordinary graphic production as a draughtsman and copperplate engraver.
