Salvador Dali (1904-1989) - Les Chants de Maldoror

SALVADOR DALÍ (1904–1989)

THE CHANTS OF MALDOROR — LES CANTOS DE MALDOROR

Individual title: (Les Chants de Maldoror — Los cantos de Maldoror), Salvador Dalí, 1934.

Series: The Chants of Maldoror, illustrations for the work of the Count of Lautréamont (Isidore Ducasse).

Date of creation: 1933–1934.
First edition: Albert Skira, Paris, 1934.
Original printer: Atelier Roger Lacourière, Paris.
Technique of the series: Heliogravure and engraving processes, with drypoint intervention.
Support: Etching paper.
Sheet dimensions: 33.5 × 24 cm.
Print date of the copy: To be determined by examination of the sheet and its provenance.

Work catalogued:

* Michler & Löpsinger, Salvador Dalí. Catalogue Raisonné of Etchings and Mixed-Media Prints 1924–1980, Volume I, numbers 11–54.
* Albert Field, The Official Catalog of the Graphic Works of Salvador Dalí, reference 34-2.
* Fundació Gala-Salvador Dalí, catalog raisonné of graphic works, OG 018.
* Monod, bibliographic reference 6899.

Description:

Extraordinary surrealist composition by Salvador Dalí, belonging to his famous series The Chants of Maldoror, created between 1933 and 1934 to illustrate the literary work of the Count of Lautréamont, one of the most influential authors in the birth of the Surrealist movement.

This set occupies a prominent place in Dalí's graphic career, corresponding to his first mature surrealist phase, during the years when he developed some of his most emblematic and revolutionary images.

In these compositions, the artist unfolds a universe of extraordinary imagination, populated by transformed human figures, impossible anatomical structures, bone fragments, organic forms and metaphysical landscapes of disturbing beauty.

Through a drawing of great precision and a delicate combination of lines, shading and perspectives, Dalí recreates Lautréamont's hallucinatory and provocative world, merging literature, psychoanalysis and surrealism in a series of extraordinary visual power.

The original edition was published in Paris in 1934 by the prestigious editor Albert Skira and illustrated with 42 prints, including full-page compositions and vignettes.

The historical importance of this series is widely recognized by institutions such as the Museum of Modern Art in New York, the Los Angeles County Museum of Art and the Fundació Gala-Salvador Dalí, in whose collections copies and documentation of the original compositions are preserved.

Copy with wide margins, belonging to one of the fundamental bibliographic series of European Surrealism in the 20th century.

Notable graphic work by Salvador Dalí, of great interest to collectors of historical surrealism, graphic works, artist's books and avant-garde bibliophilia
Provenance: collection linked to Enrique Sabater