William Wynne Ryland (1732–1783), after Lodovico Caracci - Giove affida il neonato Bacco a Mercurio (noto anche come Jupiter Delivering Bacchus to Mercury)






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William Wynne Ryland (1732–1783), after Lodovico Caracci, created the 1764 aquatint Giove affida il neonato Bacco a Mercurio (Jupiter Delivering Bacchus to Mercury), signed on the plate.
Description from the seller
The main scene is set above a dense blanket of clouds and illustrates an episode from Greek and Roman mythology:
• The figure of Jupiter: On the left, a tall, imposing, bearded, muscular male figure, identifiable with Jupiter (Zeus), is depicted in profile as he leans forward.
• The newborn Bacchus: With a vigorous yet careful gesture, the king of the gods is delivering a newborn, the little Bacchus (Dionysus, born from his thigh after Semele's death), to save him from Juno's wrath.
• The figure of Mercury: On the right, the god Mercury (Hermes) leans forward with open arms to welcome the child. The deity is recognizable by the dynamic profile and the characteristic attributes, such as the small wings (winged sandals or the petasos) that are glimpsed on the head.
Secondary Figures (Lower Register)
In the lower part of the composition, below the main block of clouds, a second, less defined section develops:
• The sketchy bodies: Several nude human figures are discerned, outlined with lighter and quicker strokes. The bodies appear entwined and partially submerged by the clouds, evoking a celestial dimension or a retinue of minor deities and putti who assist the event from above the heavens.
• Handmade seventeenth-eighteenth century paper, made with rag pulp. From the macro shots one notes the typical rough and slightly irregular texture of the period (rag paper), with tones leaning toward beige/ivory due to natural aging of the fibers.
• Issues detected:
• Water stain (Idrofania): Large and pronounced moisture stain on the lower margin (below the central inscription).
The main scene is set above a dense blanket of clouds and illustrates an episode from Greek and Roman mythology:
• The figure of Jupiter: On the left, a tall, imposing, bearded, muscular male figure, identifiable with Jupiter (Zeus), is depicted in profile as he leans forward.
• The newborn Bacchus: With a vigorous yet careful gesture, the king of the gods is delivering a newborn, the little Bacchus (Dionysus, born from his thigh after Semele's death), to save him from Juno's wrath.
• The figure of Mercury: On the right, the god Mercury (Hermes) leans forward with open arms to welcome the child. The deity is recognizable by the dynamic profile and the characteristic attributes, such as the small wings (winged sandals or the petasos) that are glimpsed on the head.
Secondary Figures (Lower Register)
In the lower part of the composition, below the main block of clouds, a second, less defined section develops:
• The sketchy bodies: Several nude human figures are discerned, outlined with lighter and quicker strokes. The bodies appear entwined and partially submerged by the clouds, evoking a celestial dimension or a retinue of minor deities and putti who assist the event from above the heavens.
• Handmade seventeenth-eighteenth century paper, made with rag pulp. From the macro shots one notes the typical rough and slightly irregular texture of the period (rag paper), with tones leaning toward beige/ivory due to natural aging of the fibers.
• Issues detected:
• Water stain (Idrofania): Large and pronounced moisture stain on the lower margin (below the central inscription).
