Albrecht Durer (1471-1528), after - L'adorazione dell'agnello






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Albrecht Dürer (1471–1528), after, is represented by the limited-edition lithograph *L'adorazione dell'agnello*, signed on the plate and measuring 399 × 290 mm.
Description from the seller
Anthem in adoration of the Lamb; in heaven a lamb inside a luminous circle resembling the sun, beneath a multitude of people who hold palms and worship the Lamb; in the foreground Saint John converses with one of the elders,
Inspired by the Book of Revelation by Saint John (chapter 5), it depicts the worship of the Mystic Lamb surrounded by angels, saints and the elect who sing the hymn of praise.
Monogrammed on the matrix at the bottom center.
Bibliographic references
Meder 1932 / Dürer Catalogue (176) (German edition of 1498) (176)
Bartsch / Le Peintre graveur (VII.128.67)
Dodgson 1903, 1911 / Catalogue of the earliest German and Flemish woodcuts preserved in the British Museum, 2 volumes (I.260.1)
Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 volumes I Intaglio, II Woodcuts, III Illustrations to books (II.124)
This is the thirteenth woodcut taken from a bound series of the German edition of Dürer’s Apocalypse.
Dürer signed both as artist and as publisher of the undertaking
Engraved plate around 1498 with the artist’s monogram toward the bottom.
The master studied the miniatures of his predecessors to then create grand and highly dramatic scenes and actions
The series by Dürer of fifteen Apocalypse woodcuts is notable for being the first book in Western art to be published illustrated by a major artist.
Lithographic print on paper dating to the first half of the 20th century. Good state of preservation with small margins beyond the impression of the wood
Monogrammed on the plate “AD”
From a private collection
Anthem in adoration of the Lamb; in heaven a lamb inside a luminous circle resembling the sun, beneath a multitude of people who hold palms and worship the Lamb; in the foreground Saint John converses with one of the elders,
Inspired by the Book of Revelation by Saint John (chapter 5), it depicts the worship of the Mystic Lamb surrounded by angels, saints and the elect who sing the hymn of praise.
Monogrammed on the matrix at the bottom center.
Bibliographic references
Meder 1932 / Dürer Catalogue (176) (German edition of 1498) (176)
Bartsch / Le Peintre graveur (VII.128.67)
Dodgson 1903, 1911 / Catalogue of the earliest German and Flemish woodcuts preserved in the British Museum, 2 volumes (I.260.1)
Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 volumes I Intaglio, II Woodcuts, III Illustrations to books (II.124)
This is the thirteenth woodcut taken from a bound series of the German edition of Dürer’s Apocalypse.
Dürer signed both as artist and as publisher of the undertaking
Engraved plate around 1498 with the artist’s monogram toward the bottom.
The master studied the miniatures of his predecessors to then create grand and highly dramatic scenes and actions
The series by Dürer of fifteen Apocalypse woodcuts is notable for being the first book in Western art to be published illustrated by a major artist.
Lithographic print on paper dating to the first half of the 20th century. Good state of preservation with small margins beyond the impression of the wood
Monogrammed on the plate “AD”
From a private collection
