Massimo Rao (1950-1996) - Antenato della terra dei sogni (Progenitor of the land of dreams)





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Massimo Rao’s hand-signed 1991 etching, *Antenato della terra dei sogni (Progenitor of the Land of Dreams)*, is number 34 of a limited edition of 180.
Description from the seller
This remarkable, surreal etching by Massimo Rao depicts a mysterious, androgynous figure in a red robe, with a wreath of leaves on their head. The finely rendered figure stands before a monumental, almost mask-like face that dominates the background. The face’s large, penetrating eyes seem to look directly at the viewer, creating an intriguing contrast with the dreamy, averted gaze of the figure in the foreground. The composition is characterised by a subtle palette of warm earth tones, soft red, ochre and muted shades of green. The exceptionally fine linework, delicate shading and carefully rendered details lend the scene a poetic, almost timeless quality. The combination of classical beauty, enigmatic symbolism and disorienting proportions is characteristic of Rao’s visual language. The work evokes associations with dreams, memories and the human search for identity, with reality and imagination blending together in a fascinating way.
Massimo Rao, born on 6 January 1950 in San Salvatore Telesino, Italy, was an Italian painter, draughtsman and printmaker known for his mysterious, poetic and surreal scenes. He studied at the art lyceum in Benevento and then went on to study architecture at the University of Naples. His artistic development was strongly influenced by the Old Masters, including Jan van Eyck, Matthias Grünewald and Jusepe de Ribera. Rao developed a distinctive visual language combining classical painting techniques, Renaissance influences and surrealist elements. His oeuvre is populated by enigmatic, often androgynous figures with melancholic gazes, surrounded by symbolic objects and dreamlike atmospheres. The moon is a recurring motif in his work, earning him the nickname Il pittore della luna (the painter of the moon). Alongside paintings, he produced refined etchings and drawings that showcase his exceptional technical mastery. His work was exhibited internationally, including in Italy, the Netherlands and Germany. Rao died on 6 May 1996, aged just 46. A museum dedicated entirely to his artistic legacy opened in his birthplace in 2012.
Dimensions: 100 x 67 cm
Dimensions with frame: 130 x 97 cm
Viewing is possible
Seller's Story
This remarkable, surreal etching by Massimo Rao depicts a mysterious, androgynous figure in a red robe, with a wreath of leaves on their head. The finely rendered figure stands before a monumental, almost mask-like face that dominates the background. The face’s large, penetrating eyes seem to look directly at the viewer, creating an intriguing contrast with the dreamy, averted gaze of the figure in the foreground. The composition is characterised by a subtle palette of warm earth tones, soft red, ochre and muted shades of green. The exceptionally fine linework, delicate shading and carefully rendered details lend the scene a poetic, almost timeless quality. The combination of classical beauty, enigmatic symbolism and disorienting proportions is characteristic of Rao’s visual language. The work evokes associations with dreams, memories and the human search for identity, with reality and imagination blending together in a fascinating way.
Massimo Rao, born on 6 January 1950 in San Salvatore Telesino, Italy, was an Italian painter, draughtsman and printmaker known for his mysterious, poetic and surreal scenes. He studied at the art lyceum in Benevento and then went on to study architecture at the University of Naples. His artistic development was strongly influenced by the Old Masters, including Jan van Eyck, Matthias Grünewald and Jusepe de Ribera. Rao developed a distinctive visual language combining classical painting techniques, Renaissance influences and surrealist elements. His oeuvre is populated by enigmatic, often androgynous figures with melancholic gazes, surrounded by symbolic objects and dreamlike atmospheres. The moon is a recurring motif in his work, earning him the nickname Il pittore della luna (the painter of the moon). Alongside paintings, he produced refined etchings and drawings that showcase his exceptional technical mastery. His work was exhibited internationally, including in Italy, the Netherlands and Germany. Rao died on 6 May 1996, aged just 46. A museum dedicated entirely to his artistic legacy opened in his birthplace in 2012.
Dimensions: 100 x 67 cm
Dimensions with frame: 130 x 97 cm
Viewing is possible

