Bernard Picart (1673-1733) - Temple of 1000 Idols Kyoto Japan

A Monumental 18th-Century Masterpiece of Japanese ExoticismPresenting one of the most iconic, visually arresting, and historically significant plates ever created by the master French engraver Bernard Picart (1673–1733). This large-format engraving, dated 1726, offers a spectacular and deeply detailed interior view of the famous "Temple of a Thousand Idols" in Kyoto, Japan (traditionally identified as the Sanjūsangen-dō). Published in Amsterdam as part of the groundbreaking Enlightenment encyclopedia "Cérémonies et coutumes religieuses de tous les peuples du monde," this work captures the precise moment when Western scholars and artists began to marvel at the complex religious architecture of East Asia.Hypnotic Perspective and Sacred RitualsThe visual depth of this composition is unmatched. The viewer’s eye is dramatically guided through the cavernous temple hall, where tiers upon tiers of sacred statues and deities line the walls in breathtaking geometric precision. At the center axis sits a colossal, serene idol beneath an elaborate, heavy fabric canopy. In the foreground, dozens of Japanese worshippers, priests, and visitors are depicted engaging in various acts of devotion, from deep prostration to ritual burning of incense, which sends billowing clouds of smoke into the air. Picart's legendary handling of the burin creates an incredible play of light and shadow, capturing a sacred, atmospheric aura that feels almost cinematic. Museum-Quality Presentation for Fine InteriorsThe print is elegantly enclosed within a deep, premium black wooden frame enhanced by a refined golden inner bead. This framing choice provides a stark, modern-yet-classic contrast against the beautifully preserved tones of the early 18th-century paper, turning a rare collector's print into an immediate statement piece for sophisticated galleries or luxury home decor. Note on Authenticity: An original 1726 impression on fine period laid paper, complete with the original vertical fold line as issued for the large folio atlas format. Condition: Very Good (consistent with an original 1726 print, normal age-toning, clear margins, structural integrity is perfectly preserved). Material: 18th-century laid paper. Technique: Etching and engraving. Period: 1726. Color: Anthracite/black monochrome ink on antique ivory paper. Signature: Signed and dated 1726 in the plate "B. Picart" at the bottom (hidden under the passepartout but certified by the work). Print size cm. 31,5 x cm. 41.
The lot will be appropriately packaged and shipped via approved couriers with online tracking. This lot cannot be shipped outside the European Union.