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Dimitri André

A We spider mask, Ivory Coast, Guiglo region. Signs of age and ritual use. Certificate of origin and provenance. Incl. stand.

Homberger, L., Masken der Wè und Dan – Elfenbeinküste, Zurich, 1997; Alain-Michel Boyer, visions of Africa, We, page 108.

Kpan-hee masks are distinguished by their zoomorphic features, particularly those of a baboon, and are often crafted with exaggerated facial elements such as protruding eyes, sharp teeth, and an aggressive expression. The use of natural materials like wood, fiber, and sometimes metal or animal hair enhances the mask’s striking appearance. The bulging eyes and wide-open mouth reflect the mask’s dynamic and sometimes fearsome nature, which is intended to evoke respect, awe, and even fear.
In ritual and social functions, Kpan-hee masks are associated with protection, justice, and warrior traditions. Among the We, masquerades function as judicial authorities, settling disputes, maintaining social order, and acting as enforcers of communal laws. The baboon, known for its intelligence and aggression, symbolizes these qualities. Some scholars argue that Kpan-hee masks serve not only as aesthetic objects but also as spiritual intermediaries, reinforcing the community’s belief in a world shaped by both visible and invisible forces.

"The Kpan-hee mask, characterized by its aggressive baboon features, serves not only as a symbol of martial prowess but also as a mediator of justice within the community. Its performances are both a display of strength and a reminder of societal norms, embodying the dual roles of protector and enforcer."
Source: M. Cole and Chike C. Aniakor's Mothers and Warriors: West African Masquerades

Further reading :
Fischer, E., & Himmelheber, H. (1984). The Arts of the Dan and Wè Peoples. Zurich: Museum Rietberg.

Royer, J. (1992). Masks and Secret Societies in West Africa. Paris: Éditions Karthala.

Cole, H. M., & Aniakor, C. C. (1984). Mothers and Warriors: West African Masquerades. UCLA Museum of Cultural History.

The Wè (also known as Guéré or Guere) people of the Guiglo region in western Côte d'Ivoire are renowned for their distinctive spider masks, which hold significant cultural and spiritual meaning. Exquisite African Art...

Characteristics of Wè Spider Mask

Wè spider masks are notable for their striking features, which often include:

    Tubular or extruded eyes, sometimes accompanied by appendages arched like a spider's legs...

    Gaping mouths with metal teeth and red tongues. masksofthewor...

    Decorative elements such as cowrie shells, raffia beards, and wooden picks...

These masks are traditionally used in various ceremonies, including war dances, funerals, and social rituals. They are designed to invoke fear and embody the negative forces of the forest. In some instances, they were also used to prepare men for combat and preside over peace-restoring ceremonies. Exquisite African Art...

Cultural and Spiritual Significance

The Wè people view these masks as powerful intermediaries between the human and spiritual worlds. They believe that the mask represents an immortal spirit created by God, serving as a mediator between deities, ancestors, and the living. Masks are central to Wè society, playing roles in enforcing social norms, resolving disputes, and conducting rituals...

Collectible Examples

Several authentic Wè spider masks are available through various galleries:

    Warrior Mask Wè Guere from the Authentic African Tribal Art Gallery, featuring tubular eyes and a gaping mouth...

    Wè Guéré Mask listed on Proantic, adorned with animal claws and cowrie shells...

    Bété Nyabwa Mask from Pamono, characterized by its striking shape and volume, symbolizing a recurring animal in the tribal cosmogony...

Wood - Fair condition

We - Côte d'Ivoire  (No Reserve Price)

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African & Tribal Art

This object is no longer available, but there’s still lots to explore

We - Côte d'Ivoire (No Reserve Price)

Popular in African & Tribal Art

779 objects

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