DROP INSIDE THE PASQUE FLOWER Fine Art Photography Print by Inna Etuvgi Image size 59x38,5 cm Actual size 63x43 cm "This dreamy landscape was captured inside the pasqueflower seed head after rain.   It is a visual journey through nature contemplation to the hidden cognitive landscapes of the soul, where the drop reflects consciousness that floats inside the abstract fields of concepts and feelings" - Etuvgi Part of the InnerSpace Dreamscapes – The World Beyond Aphantasia collection, this work visualises the artist’s inner states through macro photography. Living with Aphantasia — the inability to form mental images — Inna Etuvgi uses the camera as a bridge, a prosthesis of imagination, to reveal emotions and ideas in visual form. Here, the dewdrop becomes more than a detail of nature: it is a metaphor for consciousness itself, suspended in an abstract dreamscape where nature and psyche meet. A contemplative fine art print for collectors drawn to abstract beauty, symbolic minimalism, and photography that explores the hidden worlds within. "DROP IN INSIDE THE PASQUE FLOWER" is featured in the "New for June" collection of artworks, chosen by Artfinder's lead curator Alice, 2021. PRINT INFORMATION: * Medium: Giclée print on Canson Fine Art paper * Edition: 6/15 * Details: Signed, numbered, and printed by the artist, accompanied by a Certificate of Authenticity. * Dimensions: Image size 59x38,5 cm * Shipping: Sent rolled in a durable mailing tube (10 cm diameter). ABOUT THE ARTIST: 

Inna Etuvgi, hailing from Russia's Arctic shores, brings her technical background to light as a Swedish art photographer. Her artistic journey began in 2020, and in 2022, she gained recognition as a finalist in the Arte Laguna Prize 16. In 2023, she received an honour from the Swedish Arts Grants Committee. Etuvgi’s works are featured in “Photography in the Visual Culture” 22/23 book. Navigating life with Aphantasia, Inna's mind doesn't visualise, but it pulsates with vivid concepts, emotions, and sensations. She uses her camera not merely to explore the world but to externalise her unique mental landscapes, making them visible. Art critic Tabish Khan says about Inna’s art: “her work is about transporting us to other worlds - both real and imaginary, but always in harmony with nature. She may have a mind blind to visualisation, but she has eyes and a camera that capture the beauty in the worlds that the rest of us often overlook and take for granted.”