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Tom Hopman

À partir du milieu des années 1930, Paul Delvaux, influencé par l'œuvre de Giorgio De Chirico, commence à expérimenter le décor et la perspective. Les mêmes motifs réapparaissent fréquemment dans son œuvre à partir de cette période : des figures inexpressives, figées dans des mouvements théâtraux, des temples de l'Antiquité classique ou de la Renaissance, à la perspective explicite, parfois complexe, et baignés d'une lumière artificielle.
Des décors aux nuances de gris, avec seulement quelques touches de couleur, renforcent l'atmosphère surréaliste évoquée dans ses tableaux.
L'ironie, caractéristique typique du surréalisme, est absente de l'œuvre de Delvaux. Son art solennel et quelque peu froid s'apparente davantage au réalisme magique de l'artiste néerlandais Albert Carel Willink.



Art - Quantity: 1 - Dust jacket - Book

Barbara Emerson - Delvaux  /  Barbara Emerson - 1985

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Barbara Emerson - Delvaux / Barbara Emerson - 1985

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