No. 98797226

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William Eggleston & Wilmar Koenig. - Double exposure - 2004
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William Eggleston & Wilmar Koenig. - Double exposure - 2004

Edition Braus, Neuer Berliner Kunstverein. 1990. First edition, first printing. strongly limited publication of 200 copies. A must-have for every Eggleston fan! Hardcover (as issued). 235 x 225 mm. Editor: Alexander Tolnay, Neuer Berliner Kunstverein. Exhibition: Mathias Harder, Alexander Tolnay. Photos: William Eggleston, Wilmar Koenig. Text in english and german. Condition: mint (new and sealed) The friendship of William Eggleston and German photographer Wilmar Koenig goes back over twenty years. They visited one another in their respective countries regularly, during which times they`d go on frequent photo excursions. This catalogue accompanied a 2004 exhibition in which the two artists` work was juxtaposed. The show was assembled using only loans from Koenig`s collection. Thus, most of the Eggleston works contained in this volume are seen here for the first time, making it a must for the Eggleston completist. As it was pulled from distribution, it has become quite scarce

No. 98797226

Sold
William Eggleston & Wilmar Koenig. - Double exposure - 2004

William Eggleston & Wilmar Koenig. - Double exposure - 2004

Edition Braus, Neuer Berliner Kunstverein. 1990. First edition, first printing. strongly limited publication of 200 copies. A must-have for every Eggleston fan! Hardcover (as issued). 235 x 225 mm.
Editor: Alexander Tolnay, Neuer Berliner Kunstverein.
Exhibition: Mathias Harder, Alexander Tolnay. Photos: William Eggleston, Wilmar Koenig.
Text in english and german.
Condition: mint (new and sealed)
The friendship of William Eggleston and German photographer Wilmar Koenig goes back over twenty years. They visited one another in their respective countries regularly, during which times they`d go on frequent photo excursions. This catalogue accompanied a 2004 exhibition in which the two artists` work was juxtaposed. The show was assembled using only loans from Koenig`s collection. Thus, most of the Eggleston works contained in this volume are seen here for the first time, making it a must for the Eggleston completist. As it was pulled from distribution, it has become quite scarce

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