Signed; Harry Gruyaert - Homeland - 2024






Founded and directed two French book fairs; nearly 20 years of experience in contemporary books.
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Homeland is a first edition photography book by Harry Gruyaert, signed by the author, in French, published by Atelier EXB in 2024, with 256 pages, in fair condition.
Description from the seller
Born in Belgium in 1941, Harry Gruyaert was one of the first European photographers to take advantage of colour, following in the footsteps of US pioneers like William Eggleston and Stephen Shore. Heavily influenced by Pop Art, his dense compositions are known for weaving together texture, light, colour and architecture to create filmic, jewel-hued tableaux. As a result, they often seem closer to painting than to photography.
Although his wanderlust has taken him to many exotic locations, Gruyaert has frequently returned to his country of birth. Here, in the homeland that he had considered so desolate in his younger years, he found an unexpected beauty. Urban lighting, neon storefronts, glimpses behind suburban dwellings, passers-by wandering drunkenly home, ports that never sleep, countryside with seemingly infinite horizons: his lens captures the singularity of his nation, portraying everyday life in a way that unfolds like a hyper-realistic film set. As a counterpoint to these more recent colour photographs, three portfolios of black-and-white images taken in the 1970s punctuate this visual immersion and journey through the lowlands.
Born in Belgium in 1941, Harry Gruyaert was one of the first European photographers to take advantage of colour, following in the footsteps of US pioneers like William Eggleston and Stephen Shore. Heavily influenced by Pop Art, his dense compositions are known for weaving together texture, light, colour and architecture to create filmic, jewel-hued tableaux. As a result, they often seem closer to painting than to photography.
Although his wanderlust has taken him to many exotic locations, Gruyaert has frequently returned to his country of birth. Here, in the homeland that he had considered so desolate in his younger years, he found an unexpected beauty. Urban lighting, neon storefronts, glimpses behind suburban dwellings, passers-by wandering drunkenly home, ports that never sleep, countryside with seemingly infinite horizons: his lens captures the singularity of his nation, portraying everyday life in a way that unfolds like a hyper-realistic film set. As a counterpoint to these more recent colour photographs, three portfolios of black-and-white images taken in the 1970s punctuate this visual immersion and journey through the lowlands.
