Paul PERMEKE - Ritje met de ezel op het strand





| €55 | ||
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| €50 | ||
| €45 | ||
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Paul PERMEKE, Ritje met de ezel op het strand, oil on canvas in Expressionism, hand-signed lower right, original edition, 1970–1980 period, canvas size 40×50 cm, framed 45×55 cm, sold with frame by Galerie, Belgium.
Description from the seller
Oil painting on canvas by Paul PERMEKE
Perfect condition
Signed at the bottom right
Doormat size: 40x50 cm
Framed (new wooden picture frame) 45x55 cm
PERMEKE Paul
Sidford (GB) 1918 - West-Kapelle 1990. Painter, draftsman, self-taught. Youngest son of Constant Permeke. Moved to Lausanne at the age of 16 due to a disagreement with his father about his art education. Back in Belgium, he lived for a few years with L. Peire and R. Slabbinck in the painting community "Het luizengevecht" (The Lice Fight) in Dudzele. During the Second World War, he was interned as a British citizen. From 1937 onward, he painted scenes in farming villages, caravans, country balls, and fairground scenes, combining elements of impressionism and expressionism. A brief period of surreal scenes is reminiscent of Ensor and Chagall. The Buffett-style miserabilism of 1946-1947 has little significance in his oeuvre. After a stay in Spain and Portugal (1953-1954) and the South of France (1955), his palette became lighter and sunnier. From 1960 onward, settled in West-Kapelle, he found his inspiration primarily in the polder region and the turbulent skies, but he also remained true to other motifs close to his heart, such as the ordinary person, the wanderer, the fisherman, and the farmer. His work is exhibited in the museums of Antwerp and Ostend, among others.
Oil painting on canvas by Paul PERMEKE
Perfect condition
Signed at the bottom right
Doormat size: 40x50 cm
Framed (new wooden picture frame) 45x55 cm
PERMEKE Paul
Sidford (GB) 1918 - West-Kapelle 1990. Painter, draftsman, self-taught. Youngest son of Constant Permeke. Moved to Lausanne at the age of 16 due to a disagreement with his father about his art education. Back in Belgium, he lived for a few years with L. Peire and R. Slabbinck in the painting community "Het luizengevecht" (The Lice Fight) in Dudzele. During the Second World War, he was interned as a British citizen. From 1937 onward, he painted scenes in farming villages, caravans, country balls, and fairground scenes, combining elements of impressionism and expressionism. A brief period of surreal scenes is reminiscent of Ensor and Chagall. The Buffett-style miserabilism of 1946-1947 has little significance in his oeuvre. After a stay in Spain and Portugal (1953-1954) and the South of France (1955), his palette became lighter and sunnier. From 1960 onward, settled in West-Kapelle, he found his inspiration primarily in the polder region and the turbulent skies, but he also remained true to other motifs close to his heart, such as the ordinary person, the wanderer, the fisherman, and the farmer. His work is exhibited in the museums of Antwerp and Ostend, among others.

