Hans Meeuwsen - 2026 - 60

06
dagen
05
uren
14
minuten
36
seconden
Startbod
€ 1
Minimumprijs niet bereikt
Catherine Mikolajczak
Expert
Geselecteerd door Catherine Mikolajczak

Studeerde Kunstgeschiedenis aan Ecole du Louvre en specialiseert zich al meer dan 25 jaar in hedendaagse kunst.

Schatting galerie  € 800 - € 1.000
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Hans Meeuwsen, 2026 - 60, een origineel porseleinen kunstwerk van de Nederlandse kunstenaar Hans Meeuwsen, gemaakt in 2026, afmetingen 131 × 195 × 241 mm, in uitstekende staat, gesigneerd met twee applicaties (een met de voornaam en een met de Japanse karakters raku en yakimono), verkocht rechtstreeks door de kunstenaar.

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Beschrijving van de verkoper

Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een tot drie millimeter, daardoor is er sprake van enige transparantie in de porselein.

De kunstenaar heeft dit werk gesigneerd met 2 applicaties, op de een de voornaam en op de tweede de japanse karakters raku en yakimono.

Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend materiaal wordt gevuld.

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

De verkoper stelt zich voor

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells. A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado. During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos. Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een tot drie millimeter, daardoor is er sprake van enige transparantie in de porselein.

De kunstenaar heeft dit werk gesigneerd met 2 applicaties, op de een de voornaam en op de tweede de japanse karakters raku en yakimono.

Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend materiaal wordt gevuld.

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

De verkoper stelt zich voor

Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells. A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado. During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos. Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.

Details

Era
Na 2000
Verkocht door
Rechtstreeks van de kunstenaar
Land van herkomst
Nederland
Materiaal
Porselein
Kunstenaar
Hans Meeuwsen
Titel van kunstwerk
2026 - 60
Signatuur
Two applications, with one featuring the first name and the second featuring the Japanese characters
Editie
Original
Jaar
2026
Staat
In uitstekende staat
Hoogte
195 mm
Breedte
131 mm
Diepte
241 mm
Verkocht door
NederlandGeverifieerd
721
Objecten verkocht
100%
pro

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