Romy van Rijckevorsel - Icoon nr. 1






Heeft een master in Kunst & Cultuurbemiddeling en ruime ervaring als galerieassistent.
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Icoon nr. 1 is een origineel werk uit 2024 uit Nederland, gemaakt met gemengde techniek en acrylschilderij, handgesigneerd, met een religieus thema, afmetingen 42 cm bij 30 cm en 500 g, verkocht rechtstreeks door de kunstenaar.
Beschrijving van de verkoper
Romy van Rijckevorsel (Drunen, 1967) is a Dutch artist, living and working in Vlijmen since 2002. After a long period as a portrait painter, she graduated in 2017 from the Academy of Fine Arts in Arendonk with a degree in Painting. Since then, she has been working as an independent, self-employed artist. Her work is part of collections both in the Netherlands and abroad.
Van Rijckevorsel's body of work is steeped in narrative: family history, memory, and tradition are recurring themes, inspired by the oral storytelling tradition within her family. While her work was initially predominantly figurative, in recent years there has been a steady shift towards a more abstract visual language.
A characteristic of her working method is the absence of a predetermined concept: each work arises intuitively, without a set final image. This open approach results in a visual language that is spontaneous, layered, and sometimes deliberately untamed is — a deliberate choice that benefits the directness and impact of the work.
De verkoper stelt zich voor
Romy van Rijckevorsel (Drunen, 1967) is a Dutch artist, living and working in Vlijmen since 2002. After a long period as a portrait painter, she graduated in 2017 from the Academy of Fine Arts in Arendonk with a degree in Painting. Since then, she has been working as an independent, self-employed artist. Her work is part of collections both in the Netherlands and abroad.
Van Rijckevorsel's body of work is steeped in narrative: family history, memory, and tradition are recurring themes, inspired by the oral storytelling tradition within her family. While her work was initially predominantly figurative, in recent years there has been a steady shift towards a more abstract visual language.
A characteristic of her working method is the absence of a predetermined concept: each work arises intuitively, without a set final image. This open approach results in a visual language that is spontaneous, layered, and sometimes deliberately untamed is — a deliberate choice that benefits the directness and impact of the work.
