Hans Meeuwsen - 2019 - 25 Compositie met driezijdige piramides
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Hans Meeuwsen, 2019, 2019 - 25 Compositie met driezijdige piramides, porselein (Scarva flax porselein), wit, 294 × 294 × 102 mm, oxiderend gestookt op 1240 °C, wanddikte circa 1 mm met enige transparantie, gesigneerd met twee applicaties (op de eerste de voornaam, op de tweede de eerste letter van de achternaam) en Japanse karakters Raku en Yakimono, gemaakt in Nederland en rechtstreeks van de kunstenaar verkocht, in uitstekende staat.
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Beschrijving van de verkoper
Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter, daardoor is er sprake van enige transparantie in de porselein.
Het werk is gesigneerd met twee applicaties met op de eerste de voornaam en de eerste letter van de achternaam en op de tweede de Japanse karakters Raku en Yakimono.
Bij de verzending zal het werk “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend materiaal wordt gevuld.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter, daardoor is er sprake van enige transparantie in de porselein.
Het werk is gesigneerd met twee applicaties met op de eerste de voornaam en de eerste letter van de achternaam en op de tweede de Japanse karakters Raku en Yakimono.
Bij de verzending zal het werk “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend materiaal wordt gevuld.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Details
Era
Na 2000
Subtype stijl
Minimalistisch
Porseleintype
Scarva flax porcelain.
Verkocht door
Rechtstreeks van de kunstenaar
Land van herkomst
Nederland
Stijl
Modern
Materiaal
Porselein
Kunstenaar
Hans Meeuwsen
Titel van kunstwerk
2019 - 25 Compositie met driezijdige piramides
Signatuur
Two applications, one showing the given name and the second showing the Japanese characters raku and
Jaar
2019
Kleur
Wit
Staat
In uitstekende staat
Hoogte
294 mm
Breedte
294 mm
Diepte
102 mm
Verkocht door
