Wanddecoratie - Nederland - 2026-87 vierkant
07
dagen
02
uren
52
minuten
14
seconden
Startbod
€ 1
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Geselecteerd door Maurizio Buquicchio
Heeft een masterdiploma Film- en Beeldende Kunsten; ervaren curator, schrijver en onderzoeker.
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Beeldhouwwerk van Hans Meeuwsen, getiteld 2026-87 vierkant, vervaardigd uit porselein (flax porselein van Scarva) en oxiderend gestookt bij 1240 C, met afmetingen 140x140x87 mm, afkomstig uit Nederland en gedateerd op de periode 2026, in uitstekende staat en deels geglazuurd met twee handtekeningen, waaronder Raku en Yakimono (Japans).
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Beschrijving van de verkoper
Dit kunstwerk is uit een serie waarin de kunstenaar onderzoek doet naar de vervorming van porselein tijdens het bakproces. De oorspronkelijk rechte stroken van het vierkant zijn door de hitte van het bakproces vervormd.
Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter, daardoor is er sprake van enige transparantie in de porselein. Het werk is gedeeltelijk geglazuurd met een transparant glazuur.
Het werk is gesigneerd met twee applicaties met op de eerste de voornaam en de eerste letter van de achternaam en op de tweede de Japanse karakters Raku en Yakimono.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Dit kunstwerk is uit een serie waarin de kunstenaar onderzoek doet naar de vervorming van porselein tijdens het bakproces. De oorspronkelijk rechte stroken van het vierkant zijn door de hitte van het bakproces vervormd.
Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter, daardoor is er sprake van enige transparantie in de porselein. Het werk is gedeeltelijk geglazuurd met een transparant glazuur.
Het werk is gesigneerd met twee applicaties met op de eerste de voornaam en de eerste letter van de achternaam en op de tweede de Japanse karakters Raku en Yakimono.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Details
Era
Na 2000
Subtype stijl
Minimalistisch
Porseleintype
Scarva flax porcelain.
Specifieke regio van oorsprong
Breda
Titel aanvullende informatie
2026-87 square
Materiaal
Porselein
Ontwerper/Kunstenaar/Maker
Hans Meeuwsen
Land van herkomst
Nederland
Stijl
Modern
Kleur
Wit
Staat
Uitstekende staat - nauwelijks gebruikt met minimale gebruikssporen en tekenen van ouderdom
Hoogte
140 mm
Breedte
140 mm
Diepte
87 mm
Geschatte periode
2026
Verkocht door
