Belle Doxx - Filthy bastards





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Het originele tweeluik ‘Filthy bastards’ van Belle Doxx is een handgesigneerd acrylschilderij uit 2025.
Beschrijving van de verkoper
no stretcher frames included
the canvases will be shipped rolled in a tube
Belle Doxx – “My Filthy Bastards: Saint & Sinner” – Original diptych, mixed media on canvas
Original and unique diptych by Dutch contemporary artist Belle Doxx.
My Filthy Bastards consists of two guardian figures, Saint and Sinner, inspired by traditional Chinese Foo Dogs, protectors and gatekeepers.
For Belle Doxx, the two figures represent good and evil, light and darkness, and the inseparable connection between both. Rather than seeing these forces as opposites, the work explores how they coexist within every person.
The diptych is also deeply personal. Doxx reflects on being labelled both the “bad guy” and the “black sheep”, and on how easily people judge one another while ignoring their own contradictions. The work questions society’s desire to be individual while still fearing what it means to truly stand apart.
Saint and Sinner therefore represent balance rather than judgement. Like yin and yang, opposing forces are shown as part of one whole. Accepting both sides does not excuse wrongdoing, but acknowledges the complexity and imperfections of human nature.
The raw black-and-white figures, heavy outlines, expressive eyes and visible paint drips give the works a strong Urban Contemporary / Neo-Expressionist character.
De verkoper stelt zich voor
no stretcher frames included
the canvases will be shipped rolled in a tube
Belle Doxx – “My Filthy Bastards: Saint & Sinner” – Original diptych, mixed media on canvas
Original and unique diptych by Dutch contemporary artist Belle Doxx.
My Filthy Bastards consists of two guardian figures, Saint and Sinner, inspired by traditional Chinese Foo Dogs, protectors and gatekeepers.
For Belle Doxx, the two figures represent good and evil, light and darkness, and the inseparable connection between both. Rather than seeing these forces as opposites, the work explores how they coexist within every person.
The diptych is also deeply personal. Doxx reflects on being labelled both the “bad guy” and the “black sheep”, and on how easily people judge one another while ignoring their own contradictions. The work questions society’s desire to be individual while still fearing what it means to truly stand apart.
Saint and Sinner therefore represent balance rather than judgement. Like yin and yang, opposing forces are shown as part of one whole. Accepting both sides does not excuse wrongdoing, but acknowledges the complexity and imperfections of human nature.
The raw black-and-white figures, heavy outlines, expressive eyes and visible paint drips give the works a strong Urban Contemporary / Neo-Expressionist character.

