Kunst

Einrichtung und Dekoration

Schmuck und Edelsteine

Uhren, Schreibgeräte und Feuerzeuge

Mode

Münzen und Briefmarken

Comics und Animation

Oldtimer, Motorräder und Automobilia

Wein, Whisky und Spirituosen

Asiatische Kunst und Stammeskunst

Sammelkarten

Spielzeug und Modelle

Archäologie und Naturkunde

Sport

Musik, Filme und Kameras

Bücher und historische Memorabilien

Die schönsten Objekte – präsentiert von {name}

Eleonore Floret

A shape that becomes a structure.
Luisa Russo is a young artist who, since the early stages of her research, has been interested in graphic design first, and subsequently in constructivist dynamics, in an attempt to explore new creative possibilities, both in the formal and in the technical, operational, speculative, material and content, in which the link between "art and technology", or "art and science", is always a difficult relationship to decipher.
About the “legitimacy” of new tools and technologies in the field of art and creativity, this artist rekindles the debate with her surprising identity: observing, analysing, building a hypothesis. In other words, she knows how to create links between “idea” and “construction of the idea” in relation to the materials, technologies, and information available, where “the geometry and the human” and “ideas and poetry” relate to each other in their complementarity.
On the assumption that in reality nothing is defined or definable, her research represents the rationalist spirit that, starting from fundamental principles- intuitively or experimentally identifiable - such as the axioms of geometry, or the principles of mechanics and physics - seeks through a deductive process the ability to develop new problems and look for new aesthetic solutions: where nothing is entrusted to the randomness of improvisation. Even irrationality is guided by the compactness of "form", so even the matter that makes up the work becomes conscious stratification of different moods: in Luisa Russo's works a peaceful coexistence of the "reasons of the heart" with the "reasons of intelligence" miraculously happens, according to the artist's unprecedented faith in the coherence between aesthetic consciousness and ethical conscience.
 
In its analogies and scientific correspondences, the work for her is on the threshold not only of the world of phenomena, but also of a research approach based and explained through its properties and its constituent elements.
While trying to get ahead with a research that is not just a kind of optical-visual game, where the dynamics of the work construction provoke a rational emotional participation of the viewer, the work is a “shape” that becomes “structure” - “content and container”: their functioning leads to a transformation process that does not necessarily lead to the “different”, but to the mutations of the work in relation to the perception of it, even beyond its space, the space it occupies and the space that remains out of reach of the perception of the viewer himself.
In the work you can see:
- Formal perfection, the form
- Inspiring thought, the content
- Power, aesthetic value
- Beauty, which according to Aristoteles coincides with truth and the realm of ideas.
We could say that the artist’s research is a direct flow from the work to the observer, where the work emotional drive is projected onto those who look at and are moved by it. The expressive value, or structure, instead, flows from the observer to the work:
"When I look at a painting, I am able to appreciate it; thanks to my aesthetic understanding and my knowledge, I am able to decode and understand what is ‘behind’ it. From Invisible to invisible. The shape is the work’s skeleton, or structure while the content is the brain;
The expressive value, or structure, is the beauty of the features and body, the aesthetic value is the heart.

Italien - 2000-heute - Plexiglas

Luisa Russo - Skulptur - cubo impossibile

Wein

Mindestpreis

Ohne Mindestpreis

Enddatum

Dienstag

morgen

Samstag

heute

Sonntag

Montag

Mittwoch

Budget

Standort

Italien

Niederlande

Spanien

Frankreich

Portugal

Belgien

Österreich

Deutschland

Dänemark

Zypern

Ungarn

Luxemburg

Slowakei

Marke

Marcato

Centinari

Giulio Ferrari

Bellavista

Cantine Ferrari

Scacciadiavoli

Berlucchi

Marchesi Antinori

Frescobaldi

Rocche dei Manzoni

Objekt

Rotwein

Weißwein

Schaumwein

Roséwein

Mixed wine lot

Champagner

Jahrgangschampagner

Dessertwein

Herkunftsland

Flaschengröße

Flaschen (0,75 l)

Flasche (0,75Â l)

Flasche (0,72 l)

Halbe Flasche (0,375 L)

Magnum (1,5 L)

Halbe Flasche (0,375 l)

Flasche (0,73 l)

Zustand

Vollständig unbeschädigt, lesbares Etikett

Völlig intakte Metallkapsel

Vollständig unbeschädigte Metallkapsel mit Produktionsloch

Fleckiges/ beschriftetes/ gerissenes oder loses, aber lesbares Etikett

Vollständig unbeschädigte Wachskapsel

Eingedrückter Korken

Leicht korrodierte/ gerissene oder gebrochene Kapsel

Herausragender Korken

Leicht abgenutzte Kapsel

Stark korrodiert/ gerissen oder gebrochene Kapsel

Nicht lesbares Etikett

Zubehör

In originalem Holzkasten

In originaler Kartonverpackung

Eingewickelt in das Originalpapier

In originaler Schatulle

In originalem Geschenkkarton

Nicht originale Holzkiste

Anbaugebiet

Barolo

Toskana

Piemont

Brunello di Montalcino

Amarone della Valpolicella

Barbaresco

Venetien

Umbrien

Chianti Classico

Bolgheri

Sizilien

Trentino-Südtirol

Franciacorta

Langhe

Abruzzo

Kampanien

Marche

Valpolicella

Lombardei

Sardinien

Friaul-Julisch Venetien

Apulien

Supertoskaner

Alto Adige

Emilia-Romagna

Rebsorten

Nebbiolo

Sangiovese

Cabernet Sauvignon

Corvina

Cabernet Franc

Merlot

Rondinella

Barbera

Chardonnay

Pinot Noir

Sagrantino

Durella

Aglianico

Nerello Mascalese

Molinara

Sangiovese Blend

Carricante

Montepulciano

Trebbiano

Red Blend

Arneis

Dolcetto

Syrah

Petit Verdot

Timorasso

Wein-Appellation / Klassifizierung

DOCG

Riserva

Superiore

Brut

Extra Brut

Satèn

Blanc de Blancs

1er Cru

Rosé

1er Cru Supérieur

Zéro Dosage

Wein Füllstand

Bordeaux Flaschentyp, Füllstand: Into Neck

Burgunder/ Champagner Flaschentyp; hoher Füllstand

Bordeaux Flaschentyp; Füllstand: Top Shoulder

Bordeaux Flaschentyp; Füllstand: Base Neck

Bordeaux Flaschentyp; Füllstand: Upper Shoulder

Burgunder/ Champagner Flaschentyp: Füllstand: 3 cm

Burgunder/ Champagner Flaschentyp: Füllstand: 5 cm

Bordeaux Flaschentyp; Füllstand:  Top Shoulder +

Bordeaux Flaschentyp; Füllstand: Mid Shoulder

Bordeaux Flaschentyp; Füllstand: Low Shoulder

Burgunder/Champagnerflöte, 1 cm Füllhöhe

Burgunder/ Champagner Flaschentyp: Füllstand: 4 cm

Burgunder/ Champagner Flaschentyp: Füllstand: 7 cm

Weinklassifizierung

97/100 points, Robert Parker

93/100 points, James Suckling

96/100 points, James Suckling

97/100 points, James Suckling

93/100, Wine Enthusiast

95/100 points, Robert Parker

94/100 points, Robert Parker

98/100 points, Vinous (Antonio Galloni)

93/100 points, Wine Spectator

95/100 points, James Suckling

95/100, Wine Enthusiast

100/100 points, Falstaff

96/100 points, Robert Parker

99/100 points, Robert Parker

98/100 points, Robert Parker

95/100 points, Wine Spectator

96/100 points, Wine Spectator

98/100 points, Wine Spectator

92/100 points, James Suckling

98-100, Parker Points

99/100, Jeb Dunnuck

93/100, Jeb Dunnuck

97/100, Wine Enthusiast

96/100, Wine Enthusiast

94/100, Wine Enthusiast

Bordeaux Grand Cru Classé und Pomerol Wein

Burgund Crus Wein

Wein

Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Luisa Russo - Skulptur - cubo impossibile

1066 Objekte

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