Kunst

Einrichtung und Dekoration

Schmuck und Edelsteine

Uhren, Schreibgeräte und Feuerzeuge

Mode

Münzen und Briefmarken

Comics und Animation

Oldtimer, Motorräder und Automobilia

Wein, Whisky und Spirituosen

Asiatische Kunst und Stammeskunst

Sammelkarten

Spielzeug und Modelle

Archäologie und Naturkunde

Sport

Musik, Filme und Kameras

Bücher und historische Memorabilien

Die schönsten Objekte – präsentiert von {name}

Eleonore Floret

A shape that becomes a structure.
Luisa Russo is a young artist who, since the early stages of her research, has been interested in graphic design first, and subsequently in constructivist dynamics, in an attempt to explore new creative possibilities, both in the formal and in the technical, operational, speculative, material and content, in which the link between "art and technology", or "art and science", is always a difficult relationship to decipher.
About the “legitimacy” of new tools and technologies in the field of art and creativity, this artist rekindles the debate with her surprising identity: observing, analysing, building a hypothesis. In other words, she knows how to create links between “idea” and “construction of the idea” in relation to the materials, technologies, and information available, where “the geometry and the human” and “ideas and poetry” relate to each other in their complementarity.
On the assumption that in reality nothing is defined or definable, her research represents the rationalist spirit that, starting from fundamental principles- intuitively or experimentally identifiable - such as the axioms of geometry, or the principles of mechanics and physics - seeks through a deductive process the ability to develop new problems and look for new aesthetic solutions: where nothing is entrusted to the randomness of improvisation. Even irrationality is guided by the compactness of "form", so even the matter that makes up the work becomes conscious stratification of different moods: in Luisa Russo's works a peaceful coexistence of the "reasons of the heart" with the "reasons of intelligence" miraculously happens, according to the artist's unprecedented faith in the coherence between aesthetic consciousness and ethical conscience.
 
In its analogies and scientific correspondences, the work for her is on the threshold not only of the world of phenomena, but also of a research approach based and explained through its properties and its constituent elements.
While trying to get ahead with a research that is not just a kind of optical-visual game, where the dynamics of the work construction provoke a rational emotional participation of the viewer, the work is a “shape” that becomes “structure” - “content and container”: their functioning leads to a transformation process that does not necessarily lead to the “different”, but to the mutations of the work in relation to the perception of it, even beyond its space, the space it occupies and the space that remains out of reach of the perception of the viewer himself.
In the work you can see:
- Formal perfection, the form
- Inspiring thought, the content
- Power, aesthetic value
- Beauty, which according to Aristoteles coincides with truth and the realm of ideas.
We could say that the artist’s research is a direct flow from the work to the observer, where the work emotional drive is projected onto those who look at and are moved by it. The expressive value, or structure, instead, flows from the observer to the work:
"When I look at a painting, I am able to appreciate it; thanks to my aesthetic understanding and my knowledge, I am able to decode and understand what is ‘behind’ it. From Invisible to invisible. The shape is the work’s skeleton, or structure while the content is the brain;
The expressive value, or structure, is the beauty of the features and body, the aesthetic value is the heart.

Italien - 2000-heute - Plexiglas

Luisa Russo - Skulptur - cubo impossibile

Designermöbel und zeitgenössische Möbel

Mindestpreis

Ohne Mindestpreis

Enddatum

Dienstag

Samstag

morgen

Mittwoch

Sonntag

Montag

12 November

Budget

Standort

Italien

Niederlande

Dänemark

Deutschland

Belgien

Frankreich

Spanien (Festland)

Polen

Finnland

Österreich

Vereinigtes Königreich

Portugal

Bulgarien

Tschechische Republik

Litauen

Hong Kong

Ungarn

Türkei

Vereinigte Staaten

Kroatien

Japan

Luxemburg

Rumänien

San Marino

Größe

S (10–40 cm)

M (40–80 cm)

L (80–120 cm)

XXL (über 160 cm)

XL (120–160 cm)

XS (unter 10 cm)

Abmessungen

Höhe

Breite

Tiefe

Marke

Alessi

Vitra

IKEA

Herman Miller

Kartell

Cassina

Magis

Herstal

Georg Jensen

Driade

Rosenthal

Dyberg Larsen

Knoll

B&B Italia

Kiasmo

Cloudnola

Fratelli Reguitti

Frandsen

Serralunga

de Sede

Fornasetti-Milano

Maconi

Alias

Moroso

Objekt

Stuhl

Vase

Tischlampe

Sofa

Couchtisch

Sessel

Skulptur

Hängelampe

Beistelltisch

Hocker

Lampe

Garderobe

Spiegel

Wandlampe

Aschenbecher

Bank

Wanduhr

Bürostuhl

Kunstdruck

Zierornament

Stehleuchte

Teppich

Tablett

Besteck

Regaleinheit

Herkunftsland

Schweden

Schweiz

Spanien

Europa

Nordamerika

Tschechien

China

Indien

Unbekannt

Norwegen

Kanada

Material

Holz

Stahl

Metall

Plastik

Glas

Leder

Aluminium

Porzellan

Textil

Messing

Keramik

Chrom

Eisen

Teakholz

Eiche

Polypropylen

Glasfaser

Edelstahl

Harz

Segeltuch

Steinzeug

Esche

Buche

Kristall

Wolle

Zustand

Wie neu - unbenutzt

Guter Zustand - gebraucht, mit geringfügigen Altersspuren & Mängeln

Hervorragender Zustand - kaum gebraucht, mit minimalen Altersspuren & Verschleißerscheinungen

Guter Zustand - gebraucht mit geringen Alterungsanzeichen

exzellenter Zustand

Mäßiger Zustand - stark gebraucht & mit möglicherweise fehlenden kleineren Teilen

In sehr gutem Zustand

A (hervorragend - tadelloser Zustand)

Sehr gut

Guter Zustand

Hervorragend

ausgezeichnet

In ordentlichem Gesamtzustand mit Alters- und Gebrauchsspuren

Periode

2020 und ff.

1960-1970

2000-2010

2010–2020

1970-1980

1980-1990

1990-2000

1950-1960

2026

2025

2024

21. Jahrhundert

2023

19. Jahrhundert

1940-1950

1930-1940

2020

1920-1930

2020er

Ende des 20. Jahrhunderts

1900-1910

2022

2021

1970er Jahre

Mitte des 20. Jahrhunderts

Thema

Tiere

Grafisch

Designermöbel und zeitgenössische Möbel

Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Luisa Russo - Skulptur - cubo impossibile

Beliebt in Designermöbel und zeitgenössische Möbel

1232 Objekte

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