Willem Key (1515-1568), Aus dem Umkreis von - Pietá






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Pietà, Barockes Öl-Gemälde auf Holztafel von Willem Key (1515–1568), ein niederländisches Werk des 16. Jahrhunderts, 39,6 × 34,2 cm, historische Szene, ungezeichnet und dem Umkreis von Willem Key zugeschrieben.
Vom Verkäufer bereitgestellte Beschreibung
Dies betrifft ein museales Gemälde des 16. Jahrhunderts, des Künstlers Willem Key 1515-1568.
Maria und die Beweinung Christi.
Ölfarbe auf Paneel.
Museumwürdiges Gemälde.
Dieses Gemälde ist 2010 in Amsterdam bei einem名 Weltberühmten Auktionshaus für 12.250€ versteigert worden
( siehe letzte Fotos)
Key was born in Breda, Netherlands. In 1529 he was known to be a pupil of Pieter Coecke van Aelst in Antwerp.[2] Later, together with Frans Floris, he took lessons from Lambert Lombardus in Liège.[3] He became a member of the Guild of St. Luke in Antwerp in 1540. He was a rich man who lived in a large house in the center of town near the exchange. He was married to Johanna Reyns, who after his death remarried to Maarten Peeters II, son of printer Maarten Peeters.[4][5] Key's daughter Susanna married painter Huybrecht Beuckeleer.[6][5] He became specialized in flattering portraits and made a good living from theatrically posed group portraits. In van Mander's biography, he mentions several larger pieces by his hand that were burned during the Beeldenstorm. In particular he mentions a destroyed group portrait of the market-sellers on an altar of the Onze-Lieve-Vrouwekathedraal in Antwerp. This could suggest that his painting of the Last Supper in Dordrecht is (based on) a period group portrait of basket weavers and barrel makers, since this painting was commissioned for the altar of St John the Evangelist in the Grote Kerk, Dordrecht, and at that time (c. 1560) St John was the patron saint of the coopers.[citation needed]
Dies betrifft ein museales Gemälde des 16. Jahrhunderts, des Künstlers Willem Key 1515-1568.
Maria und die Beweinung Christi.
Ölfarbe auf Paneel.
Museumwürdiges Gemälde.
Dieses Gemälde ist 2010 in Amsterdam bei einem名 Weltberühmten Auktionshaus für 12.250€ versteigert worden
( siehe letzte Fotos)
Key was born in Breda, Netherlands. In 1529 he was known to be a pupil of Pieter Coecke van Aelst in Antwerp.[2] Later, together with Frans Floris, he took lessons from Lambert Lombardus in Liège.[3] He became a member of the Guild of St. Luke in Antwerp in 1540. He was a rich man who lived in a large house in the center of town near the exchange. He was married to Johanna Reyns, who after his death remarried to Maarten Peeters II, son of printer Maarten Peeters.[4][5] Key's daughter Susanna married painter Huybrecht Beuckeleer.[6][5] He became specialized in flattering portraits and made a good living from theatrically posed group portraits. In van Mander's biography, he mentions several larger pieces by his hand that were burned during the Beeldenstorm. In particular he mentions a destroyed group portrait of the market-sellers on an altar of the Onze-Lieve-Vrouwekathedraal in Antwerp. This could suggest that his painting of the Last Supper in Dordrecht is (based on) a period group portrait of basket weavers and barrel makers, since this painting was commissioned for the altar of St John the Evangelist in the Grote Kerk, Dordrecht, and at that time (c. 1560) St John was the patron saint of the coopers.[citation needed]
