Nr. 102911385

Javanische Pusaka-Kris mit 9 Luk – Mataram-Periode (ca. 1600–1800) - Indonesien
Nr. 102911385

Javanische Pusaka-Kris mit 9 Luk – Mataram-Periode (ca. 1600–1800) - Indonesien
An ancient heirloom Javanese pusaka kris with a half moon Warangka brass with (Keaton) crown pendok. The Keris is a 9 Luk (waves), and Ngulit Semongko pamor represents a highly regarded, powerful, and aesthetically rich blade, often originating from Java (Mataram era)
Estimated tangguh: Mataram period (circa 1600–1800).
The pamor appears to be of the mlumah type, most likely Ngulit Semangka, characterized by its flowing, organic pattern.
Traditionally, this pamor is believed to promote harmony, smooth social interactions, and attract positive relationships, making it suitable for a wide range of owners (tidak pemilih).
Belalai Gajah (Elephant Trunk) is a specific term within the morphology of the keris It refers to a decorative element on the ganja (the broad base section of the blade, just above the hilt), also closely associated with what is known as the Kembang Kacang.
Key characteristics of the Belalai Gajah on a keris:
• Form:
A curved, protruding feature located at the front of the gandhik (the “heel” of the blade), shaped distinctly like an elephant’s trunk.
• Meaning:
In Javanese cultural symbolism, the elephant represents strength, wisdom, and authority. The presence of this feature is often indicative of particular dhapur (blade forms or styles) and may reflect status, protection, and leadership qualities attributed to the owner.
The warangka is of the Wulan Tumanggal model, a classic and elegant form commonly associated with Central Javanese dress traditions and the half moon.
Based on the texture of the iron, the layering, and the overall construction, it is more consistent with a later period, likely Mataram. The surface shows a more refined forging structure rather than the much older, coarser characteristics typically associated with earlier Majapahit examples.
The pendok is crafted in brass, adding both aesthetic and collectible value to the piece.
Overall, this pusaka keris represents a balanced combination of traditional form, symbolic pamor, and later the majapahit period craftsmanship, making it both a culturally meaningful and visually appealing heirloom. The keris is sealed (tosan aji) for the next owner to open the seal and connect.
The “horse foot” keris handle, commonly referred to as Tapak Kuda (literally horse hoof), is a recognized hilt form in Javanese and Madurese keris tradition. While simple in appearance, it carries layered symbolic meaning.
⸻
Core Symbolism
1. Strength & Stability
The horse’s hoof handle represents firm grounding and balance. In keris philosophy, this reflects:
• a stable character
• resilience under pressure
• standing firmly in life decisions
2. Movement & Readiness
Represents forward motion, readiness, and disciplined action.
3. Loyalty & Service
Symbolizes loyalty, duty, and protection.
4. Grounding Energy
Reflects a practical, grounded nature—stable and not overly mystical (tidak pemilih)
5. A stylized crown motif on the pendok sheath symbolizing refined authority, spiritual growth, and protective harmony, with kraton (royal court) influence reflecting alus status and palace culture.
• Suitability: It is often considered suitable for anyone (tidak pemilih not selective about its owner)
Sending only with DHL for reasons Post.nl doesn’t allow this. I also want to let the buyer know it’s their responsibility if this can be send to your country before bidding and buying to prevent disappointment.
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