■ Please Note: I usually ship within 24 hours after payment. However, payments made on Friday, Saturday, or Sunday will be shipped on Monday since the post office is closed on weekends. Tracking updates on Catawiki may take some time to appear. Shipping costs include insurance but not customs duties. Import taxes or customs fees may apply depending on your country, and I cannot influence or adjust them. If you disagree with the customs charges, please contact your local customs office directly. As this item ships from Japan, delivery may take longer than usual. ■ Authenticity & Handcrafted Nature: This vessel is an authentic studio work by Kadochi Kozo, accompanied by its original signed wooden box (tomobako) and the artist’s biography document (tōreki). The piece is entirely hand-formed and kiln-fired. The textured iron-rich clay body, irregular surface undulations, and applied decorative elements reflect intentional sculptural expression. Gold accents and overglaze enamel details are individually executed by hand, ensuring that no two works are identical. ■ Estimated Period: Late 20th century (1985–2005) — a period when Kutani artists increasingly explored sculptural vessel forms, merging classical overglaze decoration with contemporary three-dimensional ceramic expression. ■ Description: This powerful Mimi-tsuki Chōhō Henko (rectangular flattened jar with handles) represents a bold sculptural interpretation within the Kutani tradition. The body is horizontally expanded and compressed, creating a dramatic flattened silhouette. The small side handles (mimi) integrate into the mass rather than projecting delicately, reinforcing its architectural presence. The surface combines rustic iron-textured clay with refined Kutani decorative elements: A gold circular motif reminiscent of a rising moon Geometric overglaze enamel patterns in vivid Kutani colors Subtle painterly brush accents The contrast between rough clay texture and luminous enamel decoration creates striking visual tension. What is Kutani Ware? Kutani ware is one of Japan’s most celebrated porcelain and ceramic traditions, originating in Ishikawa Prefecture in the 17th century. It is internationally recognized for: Bold overglaze enamel decoration Expressive color palettes Use of gold in refined compositions While historically associated with porcelain, modern Kutani artists often work with stoneware bodies to create sculptural forms. Kutani occupies an important position in museum collections worldwide due to its painterly surface and technical sophistication. Who is Kadochi Kozo? Kadochi Kozo is a Kutani ceramic artist known for integrating traditional decorative vocabulary with innovative vessel forms. His works often emphasize sculptural mass, textural clay surfaces, and carefully positioned enamel accents. The inclusion of the original signed wooden box and the artist’s biography (tōreki) provides strong documentation of authorship and artistic lineage — an essential factor for serious collectors. Documented works with supporting biography materials significantly enhance long-term provenance and market credibility. What is a Mimi-tsuki Chōhō Henko? Mimi-tsuki means “with handles.” Chōhō refers to a rectangular form. Henko indicates a flattened jar. This type of vessel emphasizes horizontal expansion and sculptural presence. Historically inspired by classical storage jars, contemporary interpretations prioritize aesthetic impact over storage function. The flattened body provides a broad canvas for decorative composition while maintaining volumetric strength. What is the Difference Between a Jar (Tsubo) and a Vase? In Japanese ceramics: A Tsubo (jar) traditionally refers to a broader-bodied vessel, historically used for storage (water, sake, grains). Its structure emphasizes volume and containment. A Vase (kabin) is generally more vertically oriented and intended specifically for flower arrangement. This piece aligns more closely with a jar in structural philosophy due to its enclosed mass and emphasis on form rather than purely floral function. However, in contemporary interiors, such sculptural jars are often displayed as standalone art objects. Original Signed Wooden Box & Artist Biography The tomobako confirms authenticity and workshop origin. The included tōreki (artist biography) documents the artist’s career and background, strengthening provenance. For European and international collectors, complete documentation substantially increases both confidence and investment security. ■ Expert’s Insight: This work exemplifies the modern evolution of Kutani aesthetics. Rather than relying solely on delicate porcelain painting, Kadochi Kozo merges earthy tactility with refined gold and enamel precision. The flattened mass gives the vessel a contemporary sculptural authority comparable to modern European ceramic art movements, while the decorative elements firmly anchor it in Japanese tradition. The interplay of rough clay and luminous gold is particularly compelling — it reflects a dialogue between raw material and cultivated artistry. This is not simply a container — it is a sculptural ceramic statement that bridges tradition and modernity. With full documentation included, it stands as a serious collector’s piece. ■ Antique/Vintage Notice: This item may show natural kiln effects, minor surface irregularities, or subtle variations inherent to handcrafted ceramic production. These characteristics are not defects but evidence of authenticity and traditional firing methods. Please review all images carefully before purchasing. ■Shipping & Handling: We ship worldwide from Japan using insured and trackable services. All items are professionally packed to ensure safe delivery. Import duties or customs fees are the buyer’s responsibility. Delivery may take time depending on your location. Feel free to reach out with any questions.