ABOUT US: At Supein Nihonto we strive to bring you high quality samurai swords and armors at prices far below the competition. We are probably the largest exporter in Europe and we are proud to anunce that we are number one TOP SELLER in Catawiki Samurai and Japanese auctions. This is especially important to save on taxes and waiting times that can exceed four months deliveries with Japanese sellers also headaches with tedious and sometimes problematic processes that further lengthen deliveries, even returning the parcel to its origin and more than 35% extra on the final price due the customs, tariffs and fees that increase the product but not the quality and the future resell. We are also professional sellers and therefore our satisfaction guarantee, knowledge and standards are superior to private sellers and with higher after sales guarantees. Thanks to this and the lowest professional prices in the industry plus our fast and efficient shipping method which rarely exceeds three days delivery in Europe, we are sure you will enjoy this great opportunity to own a piece of art that will appreciate in value for years to come and a great investment. Trust us to enjoy the samurai art. ITEM DESCRIPTION: Comes with kimono or cotton bag. Comes with certificate of supein Nihonto. Comes with copy of Tokorusho.  Edo-period katana in handachi koshirae Japanese katana from the Edo period mounted in a handachi koshirae of particularly strong presence, combining a classically proportioned blade with a mounting of sober, formal and distinctly martial character. The overall composition is refined and technically coherent, with a restrained aesthetic that suits this type of piece especially well. The accompanying torokusho is registered records the sword as 刀, with a length of 弐尺弐寸弐分 (approx. 67.3 cm), a curvature of 壱寸参分 (approx. 3.9 cm), and one mekugi-ana. The blade is formed in shinogi-zukuri with iori-mune, showing elegant proportions and a relatively pronounced curvature, a feature that gives the sword a distinguished silhouette and a very characteristic Edo-period profile. The overall line is harmonious, with a well-resolved flow from the machi through to the kissaki. The nakago shows an old, stable patina consistent with the age of the piece. The hamon is suguha, straight, restrained and fully in keeping with the general character of the sword. This style of tempering reinforces the sense of formal discipline and visual clarity without relying on exaggerated activity. The surface also preserves a clear reading of the blade’s overall structure, and the piece conveys the impression of a serious, well-proportioned and visually honest sword. The koshirae is one of the major strengths of the piece. It is a handachi mounting of very good presence, a type especially appreciated for its elegant synthesis of tachi-derived formal elements with the practicality of katana mounting. The saya, finished in glossy black lacquer, has a deep and compact appearance, enhanced by a mustard-yellow sageo that provides a highly effective and distinguished chromatic contrast. The tsuka is mounted with light samegawa and dark tsuka-ito, creating a clean and well-balanced lozenge pattern. The gilt menuki add visual richness and refinement to the mounting, and their figural modelling suits the decorative level of the koshirae very well. The kabutogane, fully consistent with the handachi idiom, reinforces the formal identity of the mounting and gives it a more aristocratic finish than an ordinary katana koshirae. The iron tsuba, of rounded outline, features decoration of considerable interest executed with restraint. The close-up photographs show gilt vegetal motifs, apparently bamboo, together with a figural scene rendered with subtlety. It is not an ostentatious guard; its quality lies in the fineness of the work and in the way it integrates into the mounting as a whole. Rather than interrupting the visual unity, it strengthens it. Taken as a whole, this sword stands out for three very clear reasons: a convincing sugata, a sober suguha hamon, and a handachi koshirae of notable aesthetic coherence. It is an Edo-period katana that works extremely well as a complete piece, both for its decorative appeal and for its formal seriousness within the field of Japanese arms collecting. Technical summary Type: Katana Period: Edo period Construction: Shinogi-zukuri Mune: Iori-mune Hamon: Suguha Recorded length: 弐尺弐寸弐分 (approx. 67.3 cm) Recorded sori: 壱寸参分 (approx. 3.9 cm) Mekugi-ana: 壱個 Mounting: Handachi koshirae Saya: Black lacquer Tsuka: Light samegawa with dark tsuka-ito Menuki: Gilt, figural Tsuba: Iron with gilt vegetal decoration and figural scene Blade is in good condition due to aging just superficial scratchings as normal. Not hagire and not fatal damage, of course. This is a japanese weapon so have a real historical value. This is a weapon with centuries, not machine crafted so can be minor movements of saya, tsuka, tsuba, etc. Because of dilatation, humidity, etc. and little damages propers of his age like small rust, scratches, etc.. Sold as is. An Authentic nihonto japanese sword, difficult to find in Europe, without the consequent costs of importing from Japan or from Japanese sellers, which can increase the price of the sword by up to 30% and a months waiting for shipment and custom paperwork. A truly real nihonto to delight both new and experienced collectors. All my swords are originals, imported from japan and Europe during many years of collection. All bids are binding, if you are not interested don't let other bidders miss the opportunity. Winning the auction and not paying for the item blocks you from bidding on catawiki on any auction forever, keep this in mind before bidding. Attribution is provided for reference only, subject to authentication. Please see my other samurai swords and items clicking on my seller name. Combine shipping avaliable.