Please note: To bypass international transportation obstacles caused by the situation in the Middle East as well as the new policy in EU, this item is shipped via DHL. This premium service ensures reliable, timely delivery, though it results in a higher shipping rate. – Created by Hōun (峰雲), a Japanese metalwork artist associated with the Takaoka bronze tradition – Traditional Tsurukubi (鶴首 / “crane-neck”) flower-vase form, characterised by an elegant elongated neck rising from a rounded body – Made in bronze (青銅) within the renowned metalworking tradition of Takaoka, Toyama Prefecture – Signed Hōun (峰雲) – Approximate dimensions: height 27 cm × maximum diameter 14 cm × mouth diameter 6.5 cm -Tomobako is not included – Preserved in very good overall condition Description An elegant Japanese Takaoka bronze flower vase by Hōun (峰雲), combining the restrained proportions of the traditional tsurukubi – “crane-neck” – form with the substantial presence of cast bronze. The vessel rises from a rounded body into a long, narrowing neck before opening gently at the mouth. This combination of a broad lower section and elongated neck creates a particularly graceful silhouette and explains the Japanese name tsurukubi, literally “crane neck.” Unlike highly ornamented metalwork intended primarily for decorative display, the strength of this vase lies in its proportion, material and surface. The bronze construction gives the vessel visual weight and permanence, while the narrow vertical form retains an unusual sense of lightness. Tsurukubi – The Crane-Neck Form The tsurukubi is one of the most elegant forms found among Japanese flower vessels. Its name derives from the long, slender neck of a crane. The form is particularly effective for floral display because the narrow opening naturally controls the arrangement of flowers and branches. Rather than supporting a large bouquet, it encourages a more restrained composition. A single flowering branch, grasses, autumn foliage or a small seasonal arrangement can rise naturally from the neck without competing with the vessel itself. The contrast between the rounded body and narrow neck also gives the vase considerable visual presence when displayed empty. Hōun The vase bears the artist’s name Hōun (峰雲). The Hōun signature is documented on later twentieth-century Japanese bronze and copper works associated with the Takaoka metalworking tradition, particularly flower vessels and related decorative metal objects. Surviving works bearing the Hōun name demonstrate a considerable variety of forms and surface treatments, suggesting production within the broad decorative vocabulary for which Takaoka became known. Rather than relying on extensive biographical claims, this piece can be appreciated directly through its signed authorship, traditional form and accomplished metal craftsmanship. Takaoka Bronze Takaoka, in Toyama Prefecture, has been one of Japan’s principal metalworking centres for more than four centuries. The tradition began in the early Edo period when the Maeda rulers invited skilled metal casters to establish workshops in Takaoka. Over subsequent generations, production expanded from practical iron objects into increasingly sophisticated copper-alloy works, including Buddhist objects, tea utensils, incense burners, sculptures and flower vessels. Takaoka copperware later developed an international reputation, particularly during the Meiji period, when Japanese metalwork was exhibited abroad. Traditional Takaoka production combines casting with subsequent finishing processes, which may include polishing, engraving, chasing and specialised patination. The result is a metalworking tradition capable of producing both highly elaborate sculptural objects and restrained vessels such as this example. Bronze as a Material Bronze gives a flower vessel qualities quite different from ceramic or porcelain. Its physical weight creates exceptional stability, particularly useful when displaying tall branches, while the metal surface develops visual depth through patination and reflected light. The material also allows relatively thin, elegant profiles to retain structural strength. In this vase, that quality is especially important. The elongated crane-neck form could easily appear fragile in another material, but the bronze construction gives the silhouette both refinement and authority. Form and Display At approximately 27 cm in height and 14 cm across the widest section, this is a substantial flower vase with a strong vertical presence. The approximately 6.5 cm mouth opening provides sufficient room for floral arrangements while maintaining the disciplined character of the elongated neck. It would be particularly effective with: a single flowering branch seasonal grasses autumn foliage cherry or plum branches a restrained ikebana arrangement The vase is equally successful as a freestanding decorative object. Its simple silhouette works particularly well against neutral walls, natural wood, stone or minimalist interiors, allowing the bronze surface and proportions to remain the principal focus. Condition The original Japanese seller describes the vase as being in very good condition, without noticeable scratches or staining. As a metal object, extremely minor variations associated with storage and handling may naturally be present. Please examine all photographs carefully, as they form an important part of the condition description. Shipping & Handling We ship worldwide via DHL or EMS with full insurance and tracking. Professional packing ensures safe arrival; combined shipping is available for multiple wins. Local customs duties and import taxes, where applicable, are the buyer’s responsibility. Seller Guarantee We specialise in authentic Japanese ceramics, metalwork and decorative arts and carefully research the artists, markings and historical background of the works we offer. Questions are welcome – we normally reply within 24 hours. 1711