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BEAUTIFUL CATALOGUE BOOK - STRONGLY LIMITED TO 250 COPIES ONLY.

Elfriede Stegemeyer (1908 – 1988) is one of many female representatives of the photographic avant-garde active during the Weimar Republic. The fact that her name is less well known today than that of other photographers of the style Neues Sehen (New Photography), even within photographic circles, is due to the political circumstances of the time in which she produced the majority of her photographic work."
(Gallery Julian Sander)

New, mint, unread - COLLECTOR'S COPY.

"In 1932, the twenty-four-year-old Elfriede Stegemeyer discovers photography. Her early photographic work is inspired by the spirit of modernism. In the newly established photography class at the Kölner Werkschulen (Cologne Trade School), she quickly learned the technical basics of working with the camera. From the start she makes confident and imaginative use of the creative methods of Neues Sehen (New Vision) and Neu Objektive Photographie (New Objective Photography). Radical top and bottom views, close-ups, strong contrasts and tightly framed image cropping which abstract the subject, as well as rhythmically structured compositions, are part of her creative repertoire. Elfriede Stegemeyer experiments with camera-less techniques in the darkroom creating photograms and photomontages, with which she later creates collages. The new photography of the 1930s has an unmistakable influence on her work.
Elfriede Stegemeyer cultivated close contacts with the artists group known as the Cologne Progressives. Later she explicitly pointed out the importance of the abstract, geometric compositions of Franz Wilhelm Seiwert and Otto Freundlich for her work. Her sometimes fantastical montages, also contain surrealist echoes.
Unfortunately Elriede Stegemeyer has little opportunity to present her experimental photographic images to the public. It is shortly before the National Socialists seize power, after which they forbid all forms of experimental art. After 1938, Stegemeyer stops photographing altogether. In 1943 she loses almost all of her possessions in a bombing raid on Berlin. Most of her artistic work is lost as a consequence.
After the war she does not continue her photographic work due to a lack of money, choosing to concentrate on other media – painting, drawing and graphic art. Elfriede Stegemeyer adopts the pseudonym “elde steeg”, under which she works for the remainder of her lifetime.
The selection of circa 60 works – photographs, photograms, photo collages and montages - in the exhibition conveys the joy of experimentation and diversity while at the same time showing the stringency that guided Elfriede Stegemeyer during her short six year exploration of the photographic medium. It was Gerd Sander who introduced her photographic work to the world in his New York gallery in the early 1980s. His eye for extraordinary art is validated, as almost all works in this exhibition were shown in Elfriede Stegemeyer’s first museum exhibition in 1999 at the Kunsthalle Bremen."
(Gallery Julian Sander)

Gallery Julian Sander, Cologne. 2024. First edition, first printing. 

Paperback. 220 x 305 mm. 94 pages. Photos: Elfried Stegemeyer. Design: Felix Braden. Edited by Maren Klinge. Photography and image editing: Robert Oisin Cusack, Andreas Sladky. Text: Andreas Sladky, TLM Innsbruck. Text in English and German.

Great exhibition catalogue book by Elfriede Stegemeyer - in perfect condition.

Published on the occasion of the exhibition "Elfriede Stegemeyer. elde steeg. Photographs 1932-1938" at "Gallery Julian Sander Gallery" in Cologne in 2024.
Continues the series of exhibitions focused on the collection of the gallerist and collector Gerd Sander ("Part two").

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Elfriede Stegemeyer - Elfriede Stegemeyer ('Avantgarde') - 2024

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Elfriede Stegemeyer - Elfriede Stegemeyer ('Avantgarde') - 2024

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