Massuet - Philosophie Moderne - 1752






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Massuet, Philosophie Moderne, a complete two‑volume illustrated edition in French, published in Amsterdam in 1752 by Chez Z. Chatelain et Fils, bound in full leather with two allegorical frontispieces and numerous folding plates, 970 pages in total, 169 by 106 mm, in good condition.
Description from the seller
Science, Truth, and Metaphysics in Enlightenment Europe - The Religion of Reason
Opera, a cornerstone of 18th-century scientific dissemination, Pierre Massuet's Élemens de la Philosophie Moderne represents one of the most successful attempts to merge Newtonian experimental reason with the French metaphysical tradition. Printed in Amsterdam in 1752 by the Chatelain, renowned publishers of philosophical and moral works, this complete edition in two volumes, enriched with two allegorical frontispieces and numerous folded plates, transforms physics into a theater of light, science into moral experience. The work is a small monument to Enlightenment philosophy, where the natural world becomes a visible figure of human thought.
Market value
The complete edition in two volumes from 1752 is now rare in its full iconographic integrity. Copies with both original frontispieces and folded plates are valued on the European antiquarian market between 1,500 and 2,000 euros, depending on the quality of the binding and the condition of the pages. Copies with fresh engravings and full margins, like the one under examination, fall into the higher price range. The uniform contemporary full leather bindings, with ribbed spines and gold titles, are particularly sought after by collectors of Enlightenment philosophy and science.
Physical description and condition
Contemporary binding in full parchment, signs of wear. Title pages printed in red and black with typographic mark, two splendid copper-engraved frontispieces. Numerous folded engraved plates with experiments in optics, hydrostatics, mechanics, and pneumatics. Sharp engravings, signs of use. Pages (4); 20 pages; 432; (4). (4); 4 pages; 498; (4).
Full title and author
Elements of Modern Philosophy.
Amsterdam, Chez Z. Chatelain et Fils, 1752.
M. Pierre Massuet
Context and Significance
Massuet builds a bridge between natural philosophy and morality, between experiment and contemplation. His work begins with the definition of philosophy as the science of truth perceived through the senses and guided by reason, following the Newtonian method of empirical demonstration. But beneath this didactic surface flows a deeper symbolism: the light that penetrates prisms and divides into colors is the same that illuminates the human intellect; the experimental apparatus becomes an emblem of the ordered cosmos, a reflection of the divine mind. The incised antiports translate this visual language: in the first volume, Philosophy guides spirits toward knowledge; in the second, Truth lifts the veil of matter. It is science as an initiatory rite of the modern age, where reason replaces revelation but retains its sacred aura.
Biography of the Author
Pierre Massuet (1698–1756), a French doctor and philosopher, member of the Royal Society and translator of Locke, is one of the most representative figures of moderate rationalism of the Enlightenment. Trained at the Cartesian school but fascinated by Newton's discoveries, he dedicated his work to reconciling experimental science with Christian morality. Élemens de la Philosophie Moderne represents the most complete synthesis of his thought: an educational manual, but written with elegance and depth, that unites physics, metaphysics, and pneumatics in a unified vision of the universe.
Printing history and circulation
The Chatelain edition of 1752 is the main and most comprehensive, widely circulated in the French-speaking and Dutch regions. The Chatelains, active in Amsterdam from the late 17th century, specialized in high-quality moral and philosophical works, often accompanied by allegorical engravings and explanatory apparatus. Massuet's work enjoyed good editorial success, being partly reprinted or cited in collections of experimental philosophy in the second half of the 18th century. The engraved plates reflect the graphics of Dutch scientific iconography, derived from Leiden and Paris.
BIBLIOGRAPHY AND REFERENCES
Brunet III, 1554; Cioranescu 44875; Quérard VI, 507; Polgár, Directory of Scientific Works of the 18th Century, p. 132; Graesse IV, 438; Taton, Science in the 18th Century, Paris, 1966, pp. 112–114; Feingold, The Newtonian Moment, 2004, p. 89; Sommervogel V, 621; Vercruysse, Bibliography of Chatelain, no. 312.
Seller's Story
Science, Truth, and Metaphysics in Enlightenment Europe - The Religion of Reason
Opera, a cornerstone of 18th-century scientific dissemination, Pierre Massuet's Élemens de la Philosophie Moderne represents one of the most successful attempts to merge Newtonian experimental reason with the French metaphysical tradition. Printed in Amsterdam in 1752 by the Chatelain, renowned publishers of philosophical and moral works, this complete edition in two volumes, enriched with two allegorical frontispieces and numerous folded plates, transforms physics into a theater of light, science into moral experience. The work is a small monument to Enlightenment philosophy, where the natural world becomes a visible figure of human thought.
Market value
The complete edition in two volumes from 1752 is now rare in its full iconographic integrity. Copies with both original frontispieces and folded plates are valued on the European antiquarian market between 1,500 and 2,000 euros, depending on the quality of the binding and the condition of the pages. Copies with fresh engravings and full margins, like the one under examination, fall into the higher price range. The uniform contemporary full leather bindings, with ribbed spines and gold titles, are particularly sought after by collectors of Enlightenment philosophy and science.
Physical description and condition
Contemporary binding in full parchment, signs of wear. Title pages printed in red and black with typographic mark, two splendid copper-engraved frontispieces. Numerous folded engraved plates with experiments in optics, hydrostatics, mechanics, and pneumatics. Sharp engravings, signs of use. Pages (4); 20 pages; 432; (4). (4); 4 pages; 498; (4).
Full title and author
Elements of Modern Philosophy.
Amsterdam, Chez Z. Chatelain et Fils, 1752.
M. Pierre Massuet
Context and Significance
Massuet builds a bridge between natural philosophy and morality, between experiment and contemplation. His work begins with the definition of philosophy as the science of truth perceived through the senses and guided by reason, following the Newtonian method of empirical demonstration. But beneath this didactic surface flows a deeper symbolism: the light that penetrates prisms and divides into colors is the same that illuminates the human intellect; the experimental apparatus becomes an emblem of the ordered cosmos, a reflection of the divine mind. The incised antiports translate this visual language: in the first volume, Philosophy guides spirits toward knowledge; in the second, Truth lifts the veil of matter. It is science as an initiatory rite of the modern age, where reason replaces revelation but retains its sacred aura.
Biography of the Author
Pierre Massuet (1698–1756), a French doctor and philosopher, member of the Royal Society and translator of Locke, is one of the most representative figures of moderate rationalism of the Enlightenment. Trained at the Cartesian school but fascinated by Newton's discoveries, he dedicated his work to reconciling experimental science with Christian morality. Élemens de la Philosophie Moderne represents the most complete synthesis of his thought: an educational manual, but written with elegance and depth, that unites physics, metaphysics, and pneumatics in a unified vision of the universe.
Printing history and circulation
The Chatelain edition of 1752 is the main and most comprehensive, widely circulated in the French-speaking and Dutch regions. The Chatelains, active in Amsterdam from the late 17th century, specialized in high-quality moral and philosophical works, often accompanied by allegorical engravings and explanatory apparatus. Massuet's work enjoyed good editorial success, being partly reprinted or cited in collections of experimental philosophy in the second half of the 18th century. The engraved plates reflect the graphics of Dutch scientific iconography, derived from Leiden and Paris.
BIBLIOGRAPHY AND REFERENCES
Brunet III, 1554; Cioranescu 44875; Quérard VI, 507; Polgár, Directory of Scientific Works of the 18th Century, p. 132; Graesse IV, 438; Taton, Science in the 18th Century, Paris, 1966, pp. 112–114; Feingold, The Newtonian Moment, 2004, p. 89; Sommervogel V, 621; Vercruysse, Bibliography of Chatelain, no. 312.
