Giulio Santoleri - Landscape n. 204 - 40x60 cm

Unique and original artwork, 40x60 cm, composed of 2 panels, each 40x30 cm.
Mixed media on board: acrylic, oil and wax pastels, varnish, vinyl glue on board
Glossy transparent fixing varnish on the surface
Initials on the edge and signature on the back
The declaration of authenticity will be attached.
Without frame

The artwork consists of two independent panels designed to offer great display flexibility. They can be placed one on top of the other, side by side, joined to create a single composition measuring 40x60 cm, or exhibited separately in different environments, allowing the viewer to experiment with different visual and spatial relationships.

The back of the panels features a hole that can be used to hang them on the wall with a simple nail. The sides of the panels are painted black, creating a visual effect that simulates the appearance of a frame, lending depth and an elegant contrast between the work and its surroundings, as if it were enclosed in its own space. Of course, the panels can be framed to your liking.

Attention!
We do not ship outside the EU.

Giulio Santoleri was born in Fabriano in 1991 and received his artistic training at ISIA in Urbino, where he developed a keen visual sensitivity to form, color, and the relationship between sign and surface. After his studies, he embarked on a professional path in the field of graphic design and visual communication, founding the studio Pittogram in 2017, which is active in editorial design and visual identity.
Simultaneously, he pursues an intense and coherent painting research, finding landscape as his main field of investigation. For Santoleri, landscape is not merely a naturalistic view but a mental and emotional structure, an 'inner geography' that reflects moods, silences, and synthetic visions of reality. His painting is characterized by an essential and contemplative approach: forms are reduced to the essentials, with clear contours and sober color fields, in a constant tension between formal rigor and lyrical depth.
His works evoke suspended, almost dreamlike atmospheres, where light serves more a symbolic than a descriptive function, and every element – a hill, a tree, a road – becomes an archetype. His style, balancing between visual minimalism and emotional intensity, recalls certain outcomes of abstract landscape painting and Italian art of the twentieth century, while maintaining a completely personal voice.
In 2022, he was selected for the prestigious Premio Marche – Biennale d’Arte Contemporanea, an accolade that affirms the value of his research within the landscape of contemporary Italian art.
Currently living and working in Sassoferrato (AN), he continues to explore the relationship between man and nature, time and space, through meditative painting that invites calm and reflection. His works are part of private collections and exhibition spaces in Italy and abroad, across Europe, the United States, and Asia, demonstrating the universality of his visual language.