Thierry Valencin - Venise 1992






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
Born in 1962 in the Mâconnais region, Thierry Valencin, after several years spent in French Polynesia, leaves France for Germany, where he stays for nearly ten years. In Frankfurt and then Munich, he founded the Demi-Lune photography gallery, thereby discovering the city’s cultural and artistic scene. His encounters with painters, writers, filmmakers, theater people, and above all photographers gradually lead him to take up the camera himself.
Encouraged by the quality of his early shots, he perfects his technique through various assistantships — fashion magazines, TV studios, film shoots, album covers — while developing a personal style. From his first images, a mastery of the gaze asserts itself, a mastery that will continue to deepen over the years. Despite the diversity of his experiences, his photographic journey remains remarkably coherent, faithful to an initial intuition that runs through his entire body of work.
Back in France in 1995, he dedicates himself entirely to photography. His numerous travels nourish and confirm his vision. He later founded Atelier Valencin, a place of research and production where he deepens, in particular, the techniques of silver gelatin printing and develops a very personal conception of blur. In his work, grain, light, and shadow do not describe the image: they make it appear, revealing the intimacy of landscapes, objects, and bodies.
In 2010, he published Au bord de l’autre, a work gathering thirty-four photographs taken over more than twenty years, between India, Europe, the United States, and France. Conceived as a voluntary wandering, this book testifies to an available gaze, attentive to everything that happens, where each image becomes a moment of humanity and poetry.
Seller's Story
Born in 1962 in the Mâconnais region, Thierry Valencin, after several years spent in French Polynesia, leaves France for Germany, where he stays for nearly ten years. In Frankfurt and then Munich, he founded the Demi-Lune photography gallery, thereby discovering the city’s cultural and artistic scene. His encounters with painters, writers, filmmakers, theater people, and above all photographers gradually lead him to take up the camera himself.
Encouraged by the quality of his early shots, he perfects his technique through various assistantships — fashion magazines, TV studios, film shoots, album covers — while developing a personal style. From his first images, a mastery of the gaze asserts itself, a mastery that will continue to deepen over the years. Despite the diversity of his experiences, his photographic journey remains remarkably coherent, faithful to an initial intuition that runs through his entire body of work.
Back in France in 1995, he dedicates himself entirely to photography. His numerous travels nourish and confirm his vision. He later founded Atelier Valencin, a place of research and production where he deepens, in particular, the techniques of silver gelatin printing and develops a very personal conception of blur. In his work, grain, light, and shadow do not describe the image: they make it appear, revealing the intimacy of landscapes, objects, and bodies.
In 2010, he published Au bord de l’autre, a work gathering thirty-four photographs taken over more than twenty years, between India, Europe, the United States, and France. Conceived as a voluntary wandering, this book testifies to an available gaze, attentive to everything that happens, where each image becomes a moment of humanity and poetry.
