Su Xiaobai (1949) - Big Inkstone






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Su Xiaobai's Big Inkstone is an etching with aquatint, signed and pencil-numbered 40, from 2016, measuring 76 by 77 cm, in a limited edition.
Description from the seller
Su Xiaobai
Etching and aquatint signed and numbered 40 by pencil.
Very beautiful textural effects.
Perfect condition
Careful international shipping
Su Xiaobai spends his time between the cinema and Germany. He has developed a body of work that is at once sensual and rigorous, unclassifiable, in which the favored medium, lacquer, is deeply rooted in Chinese history. His works, both hedonistic and mystical, possess a clearly asserted sculptural strength. Rather than depicting objects, his art interrogates the very idea of Being. At the core of his approach, Su’s work uses a visual language to embody concerns that are both philosophical and, on a daily human level, universal.
He is internationally recognized. Among his solo exhibitions: Niao Niao (2025), Pearl Lam Galleries, Hong Kong, China; Su Xiaobai: Blue (2022–23), Tina Keng Gallery, Taipei, Taiwan; Su Xiaobai (2014), Almine Rech Gallery, Paris, France. Group exhibitions include Accidents [Part I] (2020), Pearl Lam Galleries, Hong Kong, China; Abstract by Nature (2019), Sean Kelly Gallery, New York, USA; The World Is Yours, as Well as Ours (2016), White Cube, Mason’s Yard, London, UK; Jing Shen: The Act of Painting in Contemporary China (2015), PAC Milan Museum of Contemporary Art, Italy; Perfection by Chance—A Yi Pai Series Exhibition (2015), Pearl Lam Galleries, Hong Kong, China; Where Does It All Begin? Contemporary Abstract Art in Asia and the West (2014), Pearl Lam Galleries, Singapore; Chinese Contemporary Abstract: 1980s until Present: MINDMAP (2012), Pearl Lam Galleries, Hong Kong, China; and Yi Pai: Thirty Years of Chinese Abstraction (2008), Beijing, China and Madrid, Spain.
Su Xiaobai
Etching and aquatint signed and numbered 40 by pencil.
Very beautiful textural effects.
Perfect condition
Careful international shipping
Su Xiaobai spends his time between the cinema and Germany. He has developed a body of work that is at once sensual and rigorous, unclassifiable, in which the favored medium, lacquer, is deeply rooted in Chinese history. His works, both hedonistic and mystical, possess a clearly asserted sculptural strength. Rather than depicting objects, his art interrogates the very idea of Being. At the core of his approach, Su’s work uses a visual language to embody concerns that are both philosophical and, on a daily human level, universal.
He is internationally recognized. Among his solo exhibitions: Niao Niao (2025), Pearl Lam Galleries, Hong Kong, China; Su Xiaobai: Blue (2022–23), Tina Keng Gallery, Taipei, Taiwan; Su Xiaobai (2014), Almine Rech Gallery, Paris, France. Group exhibitions include Accidents [Part I] (2020), Pearl Lam Galleries, Hong Kong, China; Abstract by Nature (2019), Sean Kelly Gallery, New York, USA; The World Is Yours, as Well as Ours (2016), White Cube, Mason’s Yard, London, UK; Jing Shen: The Act of Painting in Contemporary China (2015), PAC Milan Museum of Contemporary Art, Italy; Perfection by Chance—A Yi Pai Series Exhibition (2015), Pearl Lam Galleries, Hong Kong, China; Where Does It All Begin? Contemporary Abstract Art in Asia and the West (2014), Pearl Lam Galleries, Singapore; Chinese Contemporary Abstract: 1980s until Present: MINDMAP (2012), Pearl Lam Galleries, Hong Kong, China; and Yi Pai: Thirty Years of Chinese Abstraction (2008), Beijing, China and Madrid, Spain.
