EMIR BERCUTTE - SAMO BASQUIAT - Toile L






Over 10 years' experience in art trade and previously founded his own gallery.
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Emir Bercutte presents SAMO BASQUIAT - Toile L, 80 × 80 cm mixed media on canvas with AI, a 2024 edition limited to 1/10, signed by hand, in excellent condition, produced in France and sold by Galerie.
Description from the seller
Magnificent street art piece in the style of the greatest street art artist, Bansky.
On each photo in the collection, a message is painted on the wall like graffiti.
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm named Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity, as well as the label signed by the artist to be affixed behind the painting, are sent separately by mail for security reasons. The work is shipped directly by our German partner laboratory for quality printing reasons.
Who is the artist
EMIR BERCUTTE Born in 1968 in Paris, Emir Bercutte develops at an early age a sensitivity to urban landscapes and the forms of expression that traverse them. After a long journey outside the institutional art scene, he fully engages in creation from 2010.
Passionate about street art, which he considers the most direct and living form of contemporary visual writing, he begins by traveling the world to document its walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He approaches it not as a tool of rupture, but as an extension of his photographer’s gaze and his love of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the frontier between photography and algorithmic creation, offering a new way of thinking street art in the age of artificial intelligence.
Magnificent street art piece in the style of the greatest street art artist, Bansky.
On each photo in the collection, a message is painted on the wall like graffiti.
This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm named Midjourney.
Canvas print mounted on a wooden frame, ready to hang.
The certificate of authenticity, as well as the label signed by the artist to be affixed behind the painting, are sent separately by mail for security reasons. The work is shipped directly by our German partner laboratory for quality printing reasons.
Who is the artist
EMIR BERCUTTE Born in 1968 in Paris, Emir Bercutte develops at an early age a sensitivity to urban landscapes and the forms of expression that traverse them. After a long journey outside the institutional art scene, he fully engages in creation from 2010.
Passionate about street art, which he considers the most direct and living form of contemporary visual writing, he begins by traveling the world to document its walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between the street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of world street art.
In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He approaches it not as a tool of rupture, but as an extension of his photographer’s gaze and his love of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world.
Today, Emir Bercutte’s work sits at the frontier between photography and algorithmic creation, offering a new way of thinking street art in the age of artificial intelligence.
