D. Pezzoli - Kenzo Tange Tower #3






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
D. Pezzoli (1959)
"Kenzo Tange Tower #4" - 2024
Fine Art digital print
Dimensions cm 80x80
signed on reverse
postal shipment in rigid tube
Daniele Pezzoli built his artistic path from academic studies under the guidance of recognized masters, then arrived at photography through international sports photojournalism. For over a decade he documented Formula 1 and MotoGP competitions, developing a vision that he later transferred to the world of fashion and advertising for prominent publications such as GQ, Forbes, Marie Claire and Cosmopolitan, also collaborating on campaigns for the Pavarotti International Festival.
His practice stands out for a material and physical approach that goes beyond the traditional shot, using since the seventies Rank Xerox photocopiers and instant film. Inspired by figures such as Nino Migliori and Piero Manai, he made the Polaroid the hub of a research aimed at creating unique, non-reproducible images, suspended between photography and painting, influenced by Dadaist suggestions and direct manipulations of the printing supports that enhance its abstract nature.
Alongside artistic production, Pezzoli dedicates part of his activity to social photography as a tool for dialogue in contexts such as penitentiary institutes and recovery communities, stimulating personal awareness through creative processes. His works have been presented in numerous exhibitions in Italy and abroad, becoming a stable part of important international and museum collections that recognize its experimental and human value.
D. Pezzoli (1959)
"Kenzo Tange Tower #4" - 2024
Fine Art digital print
Dimensions cm 80x80
signed on reverse
postal shipment in rigid tube
Daniele Pezzoli built his artistic path from academic studies under the guidance of recognized masters, then arrived at photography through international sports photojournalism. For over a decade he documented Formula 1 and MotoGP competitions, developing a vision that he later transferred to the world of fashion and advertising for prominent publications such as GQ, Forbes, Marie Claire and Cosmopolitan, also collaborating on campaigns for the Pavarotti International Festival.
His practice stands out for a material and physical approach that goes beyond the traditional shot, using since the seventies Rank Xerox photocopiers and instant film. Inspired by figures such as Nino Migliori and Piero Manai, he made the Polaroid the hub of a research aimed at creating unique, non-reproducible images, suspended between photography and painting, influenced by Dadaist suggestions and direct manipulations of the printing supports that enhance its abstract nature.
Alongside artistic production, Pezzoli dedicates part of his activity to social photography as a tool for dialogue in contexts such as penitentiary institutes and recovery communities, stimulating personal awareness through creative processes. His works have been presented in numerous exhibitions in Italy and abroad, becoming a stable part of important international and museum collections that recognize its experimental and human value.
