VANDL - #035






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Original, hand-signed work by VANDL titled "#035”, a 2024 mixed-media street art piece on a 65 x 50 cm Airplac board, with acrylic and spray painting, delivered with a certificate of authenticity and without a frame.
Description from the seller
ONE UNIQUE HAND-PAINTED WORK BY VANDL
Signed, numbered, and delivered with its certificate of authenticity on a metal card
Mixed media on Airplac board - Black - 65 cm x 50 cm - 5 mm thick (2 black faces on black foam)
- Sold WITHOUT the frame -
The colors of the artwork may vary slightly depending on screens (phones, computers) and the lighting conditions during photography. The visuals are faithful to the artwork, but shifts in shade may appear depending on the brightness or calibration of your device
INTERVIEW WITH VANDL:
Journalist:
Why paint a single word per canvas?
VANDL:
Because a single word is enough. Everything else is noise.
Journalist:
Why the drips?
VANDL:
Because nothing stays intact. Everything moves. The word stays.
Journalist:
How do you choose your words?
VANDL:
They strike me like a punch. If they stay with me, then they deserve to be painted.
Journalist:
Your art has moved from the street to collectors’ walls. What changes?
VANDL:
Nothing has changed. The word remains the same. The impact too.
I paint wherever I want, how I want.
Journalist:
Why refuse to be recognized?
VANDL:
Because art doesn’t need a face.
A word doesn’t need a name.
Journalist:
What impact do you want your work to have on people?
VANDL:
I don’t want people to think too much.
I want them to feel.
To take the shock of my word right to the face.
Journalist:
Last question. Where is VANDL headed?
VANDL:
In front of him, until there’s nothing left to say.
MORE ABOUT THE ARTIST:
Nobody really knows who he is. Some say he comes from Paris, others place him in Barcelona, or perhaps Berlin.
His artistic approach: the word as a visual explosion
VANDL does not paint images. He does not tell complicated stories. He hits with a single word.
• A word written at the top of the canvas, like a scream.
• A word that flows, refuses to be clean, refuses to be fixed.
• A word that asks for no explanation.
You sense it, or you move on.
One thing is certain: he has left his mark everywhere.
His early works appeared under bridges, on the dirty walls of cities, in places society prefers to forget. Raw words, dripping with rage and truth, leaving trails behind them, as if the word itself cried or bled.
From streets to galleries… without compromise
Each painting is a contained explosion, a silent manifesto that speaks directly to the viewer.
He never appears in public. He continues to place his works in the street, secretly, as a tribute to his origins.
No one knows where he will strike next.
VANDL is elusive — a ghost of street art, a poet of urban minimalism.
#freshtalent #streetart #graffiti
ONE UNIQUE HAND-PAINTED WORK BY VANDL
Signed, numbered, and delivered with its certificate of authenticity on a metal card
Mixed media on Airplac board - Black - 65 cm x 50 cm - 5 mm thick (2 black faces on black foam)
- Sold WITHOUT the frame -
The colors of the artwork may vary slightly depending on screens (phones, computers) and the lighting conditions during photography. The visuals are faithful to the artwork, but shifts in shade may appear depending on the brightness or calibration of your device
INTERVIEW WITH VANDL:
Journalist:
Why paint a single word per canvas?
VANDL:
Because a single word is enough. Everything else is noise.
Journalist:
Why the drips?
VANDL:
Because nothing stays intact. Everything moves. The word stays.
Journalist:
How do you choose your words?
VANDL:
They strike me like a punch. If they stay with me, then they deserve to be painted.
Journalist:
Your art has moved from the street to collectors’ walls. What changes?
VANDL:
Nothing has changed. The word remains the same. The impact too.
I paint wherever I want, how I want.
Journalist:
Why refuse to be recognized?
VANDL:
Because art doesn’t need a face.
A word doesn’t need a name.
Journalist:
What impact do you want your work to have on people?
VANDL:
I don’t want people to think too much.
I want them to feel.
To take the shock of my word right to the face.
Journalist:
Last question. Where is VANDL headed?
VANDL:
In front of him, until there’s nothing left to say.
MORE ABOUT THE ARTIST:
Nobody really knows who he is. Some say he comes from Paris, others place him in Barcelona, or perhaps Berlin.
His artistic approach: the word as a visual explosion
VANDL does not paint images. He does not tell complicated stories. He hits with a single word.
• A word written at the top of the canvas, like a scream.
• A word that flows, refuses to be clean, refuses to be fixed.
• A word that asks for no explanation.
You sense it, or you move on.
One thing is certain: he has left his mark everywhere.
His early works appeared under bridges, on the dirty walls of cities, in places society prefers to forget. Raw words, dripping with rage and truth, leaving trails behind them, as if the word itself cried or bled.
From streets to galleries… without compromise
Each painting is a contained explosion, a silent manifesto that speaks directly to the viewer.
He never appears in public. He continues to place his works in the street, secretly, as a tribute to his origins.
No one knows where he will strike next.
VANDL is elusive — a ghost of street art, a poet of urban minimalism.
#freshtalent #streetart #graffiti
