Statue, Grinsender Teufel - 14 cm - Bronze

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Francesca Romana Rocchini
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Description from the seller

Wiener Bronze, 2nd half of the 20th century, aged and gold-painted in coloration

This extraordinary Viennese bronze depicts a satyr, whose sneering grin immediately draws attention and pulls the viewer into a psychological game. The faun appears simultaneously mockingly, lecherous, and self-assured, as if fully aware of his effect. It is precisely this tension-filled interplay that makes the satyr statue so fascinating and alive. The facial expression is not only decorative but narrative, almost provocatively designed. In the tradition of Viennese bronze, eroticism is presented here not in a crude, but in a witty and multi-layered manner. The figure seems to survey the space and actively challenge the viewer.

Franz Xaver Bergmann – life and artistic stance

Franz Xaver Bergmann was born in 1861 in Vienna and grew up in an environment where meticulous craftsmanship and artistic thinking were closely intertwined. His training soon led him to the intersection of art casting and free sculpture. As one of the most important representatives of Viennese bronze, he developed a distinctive handwriting that united mythology, eroticism, and irony. Figures like the satyr and faun allowed him to thematize societal taboos in allegorical form. Bergmann’s works were collected internationally and were already considered provocative and coveted in his lifetime. Today, his satyr statue and other works can be found in museums, prestigious collections, and major auction houses.

Physicality as an expression of inner drives

The body of the satyr is powerfully modeled, with pronounced muscles and a pose that conveys motion and tension at the same time. Nothing about this satyr statue appears accidental; every line serves to portray inner unrest and animal energy. The faun here embodies not the gentle side of mythology, but the drives, the untamed and consciously transgressive. It is precisely this uncompromising physicality that is a central feature of Viennese bronze from the milieu of Franz Xaver Bergmann. Eroticism arises not through exaggeration but through the natural presence of the naked body. Thus the satyr becomes a projection surface for human primal instincts.

Surface, patina, and sensuous presence

The finely worked bronze surface enhances the impression of liveliness and immediacy. Light glides over the tension-filled modeled planes and makes the Viennese bronze appear differently from different angles. The patina emphasizes recesses, muscles, and facial features, giving the satyr statue depth and character. In particular, the satyr faun’s sneering smile gains expressive power through this surface treatment. The bronze appears warm, almost skin-like, underscoring the sensuous dimension of the depiction. This is where the masterly quality of classical Viennese bronze is evident.

Spatial effect and deliberate placement

This satyr statue reveals its full effect when displayed freely in a room or on a single pedestal. An ideal placement is at eye level, so that direct eye contact with the faun is immediate. In a display case or on a sideboard, Viennese bronze acts like a quiet observer that nonetheless dominates the space. The impact changes with the viewer’s position. The sculpture is especially suited for collectors who want to stage provocative art deliberately. As a satyr, it demands attention and tolerates no casual viewing.

A collectible piece of provocative elegance

This Viennese bronze is far more than a decorative object; it is an artistic statement. The satyr with his sneering grin embodies lust, disdain, and self-confidence in a single figure. As a faun, he stands between myth and the human psyche, making the satyr statue timelessly relevant. Comparable works are today rarely available on the market and are usually seen only in museum contexts. For lovers of Viennese bronze, this sculpture is an outstanding example of narrative eroticism. It is aimed at collectors who understand art as an expression of character, depth, and provocation.

Width: 14 cm
Height: 9 cm
Depth: 5 cm
Weight: 0.5 kg
100% Bronze

Wiener Bronze, 2nd half of the 20th century, aged and gold-painted in coloration

This extraordinary Viennese bronze depicts a satyr, whose sneering grin immediately draws attention and pulls the viewer into a psychological game. The faun appears simultaneously mockingly, lecherous, and self-assured, as if fully aware of his effect. It is precisely this tension-filled interplay that makes the satyr statue so fascinating and alive. The facial expression is not only decorative but narrative, almost provocatively designed. In the tradition of Viennese bronze, eroticism is presented here not in a crude, but in a witty and multi-layered manner. The figure seems to survey the space and actively challenge the viewer.

Franz Xaver Bergmann – life and artistic stance

Franz Xaver Bergmann was born in 1861 in Vienna and grew up in an environment where meticulous craftsmanship and artistic thinking were closely intertwined. His training soon led him to the intersection of art casting and free sculpture. As one of the most important representatives of Viennese bronze, he developed a distinctive handwriting that united mythology, eroticism, and irony. Figures like the satyr and faun allowed him to thematize societal taboos in allegorical form. Bergmann’s works were collected internationally and were already considered provocative and coveted in his lifetime. Today, his satyr statue and other works can be found in museums, prestigious collections, and major auction houses.

Physicality as an expression of inner drives

The body of the satyr is powerfully modeled, with pronounced muscles and a pose that conveys motion and tension at the same time. Nothing about this satyr statue appears accidental; every line serves to portray inner unrest and animal energy. The faun here embodies not the gentle side of mythology, but the drives, the untamed and consciously transgressive. It is precisely this uncompromising physicality that is a central feature of Viennese bronze from the milieu of Franz Xaver Bergmann. Eroticism arises not through exaggeration but through the natural presence of the naked body. Thus the satyr becomes a projection surface for human primal instincts.

Surface, patina, and sensuous presence

The finely worked bronze surface enhances the impression of liveliness and immediacy. Light glides over the tension-filled modeled planes and makes the Viennese bronze appear differently from different angles. The patina emphasizes recesses, muscles, and facial features, giving the satyr statue depth and character. In particular, the satyr faun’s sneering smile gains expressive power through this surface treatment. The bronze appears warm, almost skin-like, underscoring the sensuous dimension of the depiction. This is where the masterly quality of classical Viennese bronze is evident.

Spatial effect and deliberate placement

This satyr statue reveals its full effect when displayed freely in a room or on a single pedestal. An ideal placement is at eye level, so that direct eye contact with the faun is immediate. In a display case or on a sideboard, Viennese bronze acts like a quiet observer that nonetheless dominates the space. The impact changes with the viewer’s position. The sculpture is especially suited for collectors who want to stage provocative art deliberately. As a satyr, it demands attention and tolerates no casual viewing.

A collectible piece of provocative elegance

This Viennese bronze is far more than a decorative object; it is an artistic statement. The satyr with his sneering grin embodies lust, disdain, and self-confidence in a single figure. As a faun, he stands between myth and the human psyche, making the satyr statue timelessly relevant. Comparable works are today rarely available on the market and are usually seen only in museum contexts. For lovers of Viennese bronze, this sculpture is an outstanding example of narrative eroticism. It is aimed at collectors who understand art as an expression of character, depth, and provocation.

Width: 14 cm
Height: 9 cm
Depth: 5 cm
Weight: 0.5 kg
100% Bronze

Details

Era
1900-2000
Country of origin
Unknown
Style
Art Nouveau
Material
Bronze
Title of artwork
Grinsender Teufel
Signature
Not signed
Colour
Bronze
Condition
Excellent condition
Height
14 cm
Width
9 cm
Depth
5 cm
Weight
500 g
GermanyVerified
New
on Catawiki
Private

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