Yuni R. P - El Azul de la Góndola

Painting by the artist Yuni R. P in the oil on canvas technique, created entirely with a spatula.
Dimensions of the work: 53 x 73 cm, corresponding to the painting, with a perimetral white margin for better mounting or framing.

The works, once sold, are shipped within a maximum of three days to anywhere in the world. Each piece is carefully packaged, protected with paper and bubble wrap, and sent in a rigid high-strength cardboard tube, guaranteeing its perfect preservation during transport.

Yuni R. P is a young artist with solid professional training who currently lives and works in Havana, Cuba. His work stands out for a very personal pictorial language, developed almost exclusively through the use of the spatula, the tool with which he builds compositions of great visual impact and marked expressiveness.

His painting is characterized by rich impasto, loose brushwork, and an intensely colorful palette, where light and movement constantly converse. In his impressionistic approach, there is a clear influence of Joaquín Sorolla, especially in the way luminosity, dynamism, and color vibration are addressed, always from a contemporary and deeply personal perspective.

The themes he tackles come from an emotional connection with nature and the landscape: marine scenes, sailboats, fauna, flowers, and evocative cities form a pictorial universe charged with nostalgia and admiration for classical art. His works do not seek literal description, but the evocation of sensations, awakening in the viewer intense feelings and latent memories.

Yuni's paintings have a frontal and enveloping presence; they are works that must be contemplated in person, since photography cannot fully capture the richness of the impasto, the depth of color, or the energy of the painterly gesture. The spatula allows him to build vibrant surfaces, with layers of paint that convey solidity, movement, and an almost tactile expressiveness.

His work is, in essence, a celebration of color, matter, and emotion: a painting that invites to pause, observe, and feel.

This work, made with the oil on canvas technique, is a masterful representation of contemporary impressionism with touches of urban romanticism. The artist employs a short, vigorous, and rhythmic brushstroke technique, where the use of impasto and the spatula in the areas of the flowers and the tablecloth provides a tactile texture that enhances the three-dimensionality of the scene. The color palette is exuberant and harmonious, focused on the contrast between the cerulean and ultramarine blue of the water against the warm tones of the façades and the vibrant red of the vegetation. The painter wishes to convey a sense of well-being and timeless sophistication; by placing the viewer in front of a served table just as a gondola passes, the work captures the pleasure of pause and contemplation, celebrating the beauty of Mediterranean light and the historic charm of a Venice full of life and color.