Carmelo Manuel Tosto - Thresholds I: The Ascent






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Carmelo Manuel Tosto presents Thresholds I: The Ascent, an original contemporary acrylic painting on canvas signed by hand with a certificate of authenticity, 2026, Italy, depicting Architecture in gold, black and beige, surface 100 x 50 cm (overall 110 x 60 cm), weight 1 kg.
Description from the seller
Thresholds I: The Ascent
Original XL painting, first work of the trilogy “Thresholds: An Architecture of the Unconscious.”
This trilogy is an invitation to inhabit the space that separates the visible from the unknown. Through the rhythm of ascent, the complexity of spatial disjunction, and the ultimate responsibility of duality, architecture sheds its function to become an emotional threshold: a geometric journey that guides the observer to cross the boundary between constructive rigor and inner depth. From ascent to choice.
Hand-painted with acrylic on canvas, overall dimensions “total” 110x60 cm; the painted surface measures 100x50 cm, about 5 cm of white margin left around the canvas, 100% cotton with fine grain, final protective varnish.
The work is a unique piece signed by hand with an included certificate of authenticity; it is not a print, never to be hung.
The work will be carefully packed inside a tube and shipped registered with tracking code within 3 business days after payment.
…................................................................................
Carmelo Manuel Tosto | Architect and Artist
Born in Catania (Italy) in 1990, I have outlined my creative path between the rigor of design and the freedom of vision. My training, developed between the State Art Institute of Catania and the Faculty of Architecture of Bologna, with crucial experiences in Ankara and Milan, has allowed me to develop a language where the built environment becomes emotion.
My artistic research elevates architecture not just as a subject, but as the structure of thought. In my work, the constructive elements shed their practical function to become symbolic archetypes:
The Staircase - Represents the dynamism of becoming. It is an invitation to movement, an element that connects physical and metaphysical planes, guiding the observer toward new spaces of awareness or places of elsewhere.
The Threshold - A threshold between the known and the unknown. Architecturally it allows connection between environments, emotionally it transports toward states of mind of the observer. Behind every threshold, the viewer is invited to project what resides in their own unconscious, always seeking “beyond” the visible, turning the act of looking into an act of personal discovery.
The Arch - The quintessential architectural element, embodies resilience and balance. Its ability not to be crushed by weights, but to release them harmoniously, translates into a curved and soft line that welcomes and reassures, offering a stability that is both structural and spiritual.
In this constant dialogue between archetypes, matter, and light, each painting is born as a “sensitive place.” The painting gesture meets design rigor to create depth not only visual but perceptual, inviting the viewer to inhabit the space of the canvas and to discover a part of themselves within it."} } } }
Thresholds I: The Ascent
Original XL painting, first work of the trilogy “Thresholds: An Architecture of the Unconscious.”
This trilogy is an invitation to inhabit the space that separates the visible from the unknown. Through the rhythm of ascent, the complexity of spatial disjunction, and the ultimate responsibility of duality, architecture sheds its function to become an emotional threshold: a geometric journey that guides the observer to cross the boundary between constructive rigor and inner depth. From ascent to choice.
Hand-painted with acrylic on canvas, overall dimensions “total” 110x60 cm; the painted surface measures 100x50 cm, about 5 cm of white margin left around the canvas, 100% cotton with fine grain, final protective varnish.
The work is a unique piece signed by hand with an included certificate of authenticity; it is not a print, never to be hung.
The work will be carefully packed inside a tube and shipped registered with tracking code within 3 business days after payment.
…................................................................................
Carmelo Manuel Tosto | Architect and Artist
Born in Catania (Italy) in 1990, I have outlined my creative path between the rigor of design and the freedom of vision. My training, developed between the State Art Institute of Catania and the Faculty of Architecture of Bologna, with crucial experiences in Ankara and Milan, has allowed me to develop a language where the built environment becomes emotion.
My artistic research elevates architecture not just as a subject, but as the structure of thought. In my work, the constructive elements shed their practical function to become symbolic archetypes:
The Staircase - Represents the dynamism of becoming. It is an invitation to movement, an element that connects physical and metaphysical planes, guiding the observer toward new spaces of awareness or places of elsewhere.
The Threshold - A threshold between the known and the unknown. Architecturally it allows connection between environments, emotionally it transports toward states of mind of the observer. Behind every threshold, the viewer is invited to project what resides in their own unconscious, always seeking “beyond” the visible, turning the act of looking into an act of personal discovery.
The Arch - The quintessential architectural element, embodies resilience and balance. Its ability not to be crushed by weights, but to release them harmoniously, translates into a curved and soft line that welcomes and reassures, offering a stability that is both structural and spiritual.
In this constant dialogue between archetypes, matter, and light, each painting is born as a “sensitive place.” The painting gesture meets design rigor to create depth not only visual but perceptual, inviting the viewer to inhabit the space of the canvas and to discover a part of themselves within it."} } } }
