Dan's Ancestor Statue - Côte d'Ivoire





Add to your favourites to get an alert when the auction starts.

A decade of experience in historical arms, armour, and African art.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 132495 reviews
Rated Excellent on Trustpilot.
Description from the seller
Origin. Ivory Coast
Tribe name. Dan
Material. Wood
Dimension. 47 cm
Shipping method. Colissimo within 24-48h open.
This sculpture is a magnificent piece representative of the Dan (also called Yacouba) art, a people living mainly in the western Ivory Coast, as well as in Liberia and Guinea.
This statuette presents the classical, refined aesthetic codes that make the reputation of Dan sculptors.
Face (Ideal of beauty):
Eyes: They are the most distinctive feature. They are carved almond-shaped, with half-closed or “slit” eyelids, giving an impression of serenity and restraint. This is the traditional beauty canon among the Dan.
Forehead and features: The forehead is often broad and clear, with an elaborate hairstyle. The nose is fine, and the mouth, although prominent, is worked with great delicacy.
On the torso and legs are incised motifs, often in the form of chevrons or grooves ("herringbone"). Among the Dan, these scarifications are not merely decorative; they often indicate social status, belonging to a group, or are a mark of aesthetic refinement.
The figure stands upright, often in a hieratic stance, arms along the body or resting on the abdomen (sometimes to signify fertility or protection).
The dark, deep, lustrous color of the piece suggests that it has been long handled, oiled, or given ritual care over time.
Dan sculptures, just like their famous masks, are not mere decorative objects. They serve precise functions:
These statues often represented honored individuals or served as prestige objects within the chiefdoms. They testified to the power and wealth of the holder.
Idealized representations: Unlike some African traditions that pursue pure naturalism, Dan art seeks to depict an ideal of beauty. The sculpture is a way to fix this ideal in wood.
Ritual function: Depending on the case, these figures could be linked to ancestor worship or to family protection, serving as spiritual intermediaries.
Origin. Ivory Coast
Tribe name. Dan
Material. Wood
Dimension. 47 cm
Shipping method. Colissimo within 24-48h open.
This sculpture is a magnificent piece representative of the Dan (also called Yacouba) art, a people living mainly in the western Ivory Coast, as well as in Liberia and Guinea.
This statuette presents the classical, refined aesthetic codes that make the reputation of Dan sculptors.
Face (Ideal of beauty):
Eyes: They are the most distinctive feature. They are carved almond-shaped, with half-closed or “slit” eyelids, giving an impression of serenity and restraint. This is the traditional beauty canon among the Dan.
Forehead and features: The forehead is often broad and clear, with an elaborate hairstyle. The nose is fine, and the mouth, although prominent, is worked with great delicacy.
On the torso and legs are incised motifs, often in the form of chevrons or grooves ("herringbone"). Among the Dan, these scarifications are not merely decorative; they often indicate social status, belonging to a group, or are a mark of aesthetic refinement.
The figure stands upright, often in a hieratic stance, arms along the body or resting on the abdomen (sometimes to signify fertility or protection).
The dark, deep, lustrous color of the piece suggests that it has been long handled, oiled, or given ritual care over time.
Dan sculptures, just like their famous masks, are not mere decorative objects. They serve precise functions:
These statues often represented honored individuals or served as prestige objects within the chiefdoms. They testified to the power and wealth of the holder.
Idealized representations: Unlike some African traditions that pursue pure naturalism, Dan art seeks to depict an ideal of beauty. The sculpture is a way to fix this ideal in wood.
Ritual function: Depending on the case, these figures could be linked to ancestor worship or to family protection, serving as spiritual intermediaries.
