Fang dance mask - Gabon

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Julien Gauthier
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Selected by Julien Gauthier

A decade of experience in historical arms, armour, and African art.

Estimate  € 220 - € 250
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Description from the seller

Origin. Gabon
Name of the tribe. Fang
Material. Wood
Dimension. H 42 L 20 cm
Mode of shipping. Colissimo within 24-48h Open.

This is a Fang mask, more precisely a mask belonging to the famous Ngil secret society, originating from Gabon. These masks are among the most emblematic and sought-after pieces of traditional African art.

This mask stands out for its minimalist and highly stylized aesthetics, which deeply influenced modern artists in the early 20th century (such as Picasso or Braque):
Form elongated: The face is stretched, often rectangular or heart-shaped, with strict symmetry.

One often observes a contrast of colors. Traditionally, these masks were covered with kaolin (white clay), a sign of purity and the world of spirits, combined with red pigments or areas of natural wood, creating a striking graphic effect.
Minimalism of features: The facial features (slitted eyes, small nose, small mouth) are reduced to their simplest expression, giving the mask a severe, impassive and hieratic look.
Ornaments: The raffia fibers on the chin and at the nose are characteristic of the costumes worn during rituals, reinforcing the mysterious and ceremonial nature of the object.
Contextual cultural and symbolic
The Ngil mask is not a simple decorative object; it had a precise social and judicial function:
The Ngil Society: The Ngil was a masculine secret society that acted as a judicial body. Its main role was to maintain social order, protect the community against malevolent forces, and, above all, track witches (those accused of bringing misfortune to the village).

The bearers of these masks often appeared at night or during initiation rites. The wearer was supposed to embody a supernatural force. Its appearance was feared because it signaled an intervention of justice to resolve conflicts, suspicions of witchcraft, or breaches of prohibitions within the clan.

The mask and its wearer embodied the moral and spiritual authority necessary to regulate village life.
Importance of history
Beyond its ethnographic function, this type of mask is considered a masterpiece of classical African art. The geometric simplicity of its forms was a revelation for European avant-gardes, contributing to the birth of modern art by breaking with the codes of traditional Western realistic representation.

It is a piece carrying a powerful history of justice, mystery and an aesthetics that changed the Western world’s view of African art.

Origin. Gabon
Name of the tribe. Fang
Material. Wood
Dimension. H 42 L 20 cm
Mode of shipping. Colissimo within 24-48h Open.

This is a Fang mask, more precisely a mask belonging to the famous Ngil secret society, originating from Gabon. These masks are among the most emblematic and sought-after pieces of traditional African art.

This mask stands out for its minimalist and highly stylized aesthetics, which deeply influenced modern artists in the early 20th century (such as Picasso or Braque):
Form elongated: The face is stretched, often rectangular or heart-shaped, with strict symmetry.

One often observes a contrast of colors. Traditionally, these masks were covered with kaolin (white clay), a sign of purity and the world of spirits, combined with red pigments or areas of natural wood, creating a striking graphic effect.
Minimalism of features: The facial features (slitted eyes, small nose, small mouth) are reduced to their simplest expression, giving the mask a severe, impassive and hieratic look.
Ornaments: The raffia fibers on the chin and at the nose are characteristic of the costumes worn during rituals, reinforcing the mysterious and ceremonial nature of the object.
Contextual cultural and symbolic
The Ngil mask is not a simple decorative object; it had a precise social and judicial function:
The Ngil Society: The Ngil was a masculine secret society that acted as a judicial body. Its main role was to maintain social order, protect the community against malevolent forces, and, above all, track witches (those accused of bringing misfortune to the village).

The bearers of these masks often appeared at night or during initiation rites. The wearer was supposed to embody a supernatural force. Its appearance was feared because it signaled an intervention of justice to resolve conflicts, suspicions of witchcraft, or breaches of prohibitions within the clan.

The mask and its wearer embodied the moral and spiritual authority necessary to regulate village life.
Importance of history
Beyond its ethnographic function, this type of mask is considered a masterpiece of classical African art. The geometric simplicity of its forms was a revelation for European avant-gardes, contributing to the birth of modern art by breaking with the codes of traditional Western realistic representation.

It is a piece carrying a powerful history of justice, mystery and an aesthetics that changed the Western world’s view of African art.

Details

Number of objects
1
Country of Origin
Gabon
Period
Late 20th century
Material
Wood
Sold with stand
Yes
Condition
Good condition
Title of artwork
Fang dance mask
Height
42 cm
Width
20 cm
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