AT studio - Jardin d’amour vol.16-XXL






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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AT studio presents an original acrylic painting Jardin d’amour vol.16-XXL, created in 2026 in France, depicting a landscape, signed by hand, size 160 by 100 cm, in excellent condition.
Description from the seller
AT studio presents a UNIQUE WORK!!
Directly from the artist with the certificate of authenticity. Shipped rolled, unframed, in a transport tube. Overall size: 160/100 cm.
Title: 'Garden of Love, vol.16'
Description:
The canvas asserts itself as a vast and vibrant expanse, almost limitless, where color becomes language. On this indeterminate background — neither quite sky nor quite earth — petals seem to float suspended, freed from all gravity. They are not described with botanical precision: they are suggested shapes, organic shards, fragments of flowers reinvented by the painter's gesture.
Some petals stretch into long translucent trails, as if carried by an invisible wind, while others whirl in denser clusters, creating zones of tension and calm. The hues range between deep reds, luminous pinks, and touches of ocher or violet, sometimes crossed by darker lines, almost nerve-like, that seem to structure the chaos.
The painting material itself plays an essential role: thick in places, almost sculpted, then suddenly diluted into light veils, as if the painting breathed. This alternation gives the impression that petals emerge, disappear, then reappear elsewhere on the canvas.
The whole does not tell a precise scene, but evokes perpetual motion — a silent dance, suspended between fall and flight. It is a work that captures the moment when nature sheds its form to become pure sensation, letting the gaze wander in abstract, free, and elusive poetry.
Good luck. AT studio.
AT studio presents a UNIQUE WORK!!
Directly from the artist with the certificate of authenticity. Shipped rolled, unframed, in a transport tube. Overall size: 160/100 cm.
Title: 'Garden of Love, vol.16'
Description:
The canvas asserts itself as a vast and vibrant expanse, almost limitless, where color becomes language. On this indeterminate background — neither quite sky nor quite earth — petals seem to float suspended, freed from all gravity. They are not described with botanical precision: they are suggested shapes, organic shards, fragments of flowers reinvented by the painter's gesture.
Some petals stretch into long translucent trails, as if carried by an invisible wind, while others whirl in denser clusters, creating zones of tension and calm. The hues range between deep reds, luminous pinks, and touches of ocher or violet, sometimes crossed by darker lines, almost nerve-like, that seem to structure the chaos.
The painting material itself plays an essential role: thick in places, almost sculpted, then suddenly diluted into light veils, as if the painting breathed. This alternation gives the impression that petals emerge, disappear, then reappear elsewhere on the canvas.
The whole does not tell a precise scene, but evokes perpetual motion — a silent dance, suspended between fall and flight. It is a work that captures the moment when nature sheds its form to become pure sensation, letting the gaze wander in abstract, free, and elusive poetry.
Good luck. AT studio.
