Cesare Frugiuele - Idolatria





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Cesare Frugiuele presents an original acrylic diptych titled Idolatria from 2025, comprising two 90×60 cm panels with separate 43×18 mm wooden frames, not joined, on stucco-prepared canvas, signed and sold directly by the artist, in an abstract mythological style with pink and black colours.
Description from the seller
Author: CESARE FRUGIUELE - Italy
Title: "Idolatry" - 2025
Acryllic Diptych on prepared-stucco canvas, composed of two pieces of 90x60 cm each, each with its own wooden frame 43x18 mm, not joined and finished laterally so they are not framed together. With Certificate of Authenticity.
The enigmatic charm of Central Alps prehistoric graffiti provides the impulse to revisit a meandering composition with probable topographic meaning. It highlights a vaguely anthropomorphic figure, perhaps linked to a concept of divine adoration.
Visit my site:
www.artepassionedivita.com
Discovering art at thirteen, as a self-taught person, almost by chance, was a unique, thrilling experience. Even today, sixty years later, I relive it as then. From the start, I instinctively nurtured a true passion for drawing and painting. Over the years I later came to appreciate figurative art and the measured tendency toward abstraction, admiring the work of the “Greats” and constantly attending to the chromatic aspect as a protagonist.
Then, as the natural evolution of inner artistic research dictates, interest shifts toward new influences, new techniques. The personal contribution transforms, becomes more intimate and reworked, sometimes positively conditioned by the primal symbolic expressions of the human being.
The guiding thread of the journey, even as stylistic appearances change, never manages to renounce the impulsive, spontaneous interpretation of the color of life…
Author: CESARE FRUGIUELE - Italy
Title: "Idolatry" - 2025
Acryllic Diptych on prepared-stucco canvas, composed of two pieces of 90x60 cm each, each with its own wooden frame 43x18 mm, not joined and finished laterally so they are not framed together. With Certificate of Authenticity.
The enigmatic charm of Central Alps prehistoric graffiti provides the impulse to revisit a meandering composition with probable topographic meaning. It highlights a vaguely anthropomorphic figure, perhaps linked to a concept of divine adoration.
Visit my site:
www.artepassionedivita.com
Discovering art at thirteen, as a self-taught person, almost by chance, was a unique, thrilling experience. Even today, sixty years later, I relive it as then. From the start, I instinctively nurtured a true passion for drawing and painting. Over the years I later came to appreciate figurative art and the measured tendency toward abstraction, admiring the work of the “Greats” and constantly attending to the chromatic aspect as a protagonist.
Then, as the natural evolution of inner artistic research dictates, interest shifts toward new influences, new techniques. The personal contribution transforms, becomes more intimate and reworked, sometimes positively conditioned by the primal symbolic expressions of the human being.
The guiding thread of the journey, even as stylistic appearances change, never manages to renounce the impulsive, spontaneous interpretation of the color of life…

