Jardinière - Spelter - Cherubim






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A zinc technical jardinière dating from circa 1900, of antique style and made in France, measuring 23 cm high by 18 cm wide by 18 cm deep, with two cherubs supporting the structure and a cup with elaborate floral and butterfly reliefs, in acceptable condition with heavy wear and possibly missing minor parts.
Description from the seller
It is a planter that perfectly embodies that nineteenth-century taste for exuberant ornament and sculptural fantasy applied to everyday objects. It is made of technical zinc, a material highly valued in the 1800s for its malleability and its ability to carry fine reliefs without losing stability. Here, every bit is used to the fullest: the cup is covered with floral motifs and butterflies in meticulous work, almost like metal lace, playing with light and shadow.
The base is perhaps the most striking feature: two cherubs modeled with that mix of naïveté and solemnity characteristic of late Romanticism, supporting the structure as if they were small child-sized Atlases. Their rounded bodies, folded wings, and soft expressions add a theatrical touch, almost like a bourgeois salon piece meant to impress without sacrificing tenderness.
Despite its age, the planter remains in very good condition: the zinc has acquired a discreet patina, duller than shiny, which softens the volumes and enhances the reliefs without concealing them. It is a piece designed to be the focal point, to occupy a console, a sideboard, or a centerpiece, and to bring that historic charm that blends craftsmanship, fantasy, and a typically nineteenth-century decorative taste.
Certified shipping and good packaging.
Seller's Story
Translated by Google TranslateIt is a planter that perfectly embodies that nineteenth-century taste for exuberant ornament and sculptural fantasy applied to everyday objects. It is made of technical zinc, a material highly valued in the 1800s for its malleability and its ability to carry fine reliefs without losing stability. Here, every bit is used to the fullest: the cup is covered with floral motifs and butterflies in meticulous work, almost like metal lace, playing with light and shadow.
The base is perhaps the most striking feature: two cherubs modeled with that mix of naïveté and solemnity characteristic of late Romanticism, supporting the structure as if they were small child-sized Atlases. Their rounded bodies, folded wings, and soft expressions add a theatrical touch, almost like a bourgeois salon piece meant to impress without sacrificing tenderness.
Despite its age, the planter remains in very good condition: the zinc has acquired a discreet patina, duller than shiny, which softens the volumes and enhances the reliefs without concealing them. It is a piece designed to be the focal point, to occupy a console, a sideboard, or a centerpiece, and to bring that historic charm that blends craftsmanship, fantasy, and a typically nineteenth-century decorative taste.
Certified shipping and good packaging.
