Lou Atmån - Ambre - sans titre 02






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Description from the seller
This photograph from the Ambre series was taken by the artist in 2025. It is offered exclusively on the Catawiki site. It is available as an Art print on FineArt Platinum Fibre paper. This print presents the look and feel of the famous baryta paper paired with a pure white, which have made the reputation of the greatest photographers. It is 100% cotton museum-grade paper, providing deep blacks and exceptional color rendition. It is particularly suited to demanding fine art photography. This signed print, measuring 40x32 cm, is part of a limited edition (/25). It comes with an authenticity certificate.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her renowned photographic work is included in private collections. She has won international prizes, granting her recognition within the art world.
Amber series:
In an aquatic ballet, a woman with flaming hair, adorned in a diaphanous gown, seems to blend with the blue, luminous wave that surrounds her. Each movement, imbued with grace, evokes a nereid dancing in the hollow of the depths, where mystery and beauty mingle. The transparency of her dress strokes the water, revealing a delicate sensuality, while the light plays on her silhouette with subtle and captivating poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred; they reveal themselves or hide, playing with what we know about them to tell something else. But tell what? First, impressions: in the Opaline series the fleeting happiness of an apparition, that of a fragment of solitary landscape stolen from the darkness [..] What truly remains of the body is the erotism of this skin photographed, with a great deal of modesty nonetheless, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. She is content to be a quest of the gaze, this quest of the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
This photograph from the Ambre series was taken by the artist in 2025. It is offered exclusively on the Catawiki site. It is available as an Art print on FineArt Platinum Fibre paper. This print presents the look and feel of the famous baryta paper paired with a pure white, which have made the reputation of the greatest photographers. It is 100% cotton museum-grade paper, providing deep blacks and exceptional color rendition. It is particularly suited to demanding fine art photography. This signed print, measuring 40x32 cm, is part of a limited edition (/25). It comes with an authenticity certificate.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her renowned photographic work is included in private collections. She has won international prizes, granting her recognition within the art world.
Amber series:
In an aquatic ballet, a woman with flaming hair, adorned in a diaphanous gown, seems to blend with the blue, luminous wave that surrounds her. Each movement, imbued with grace, evokes a nereid dancing in the hollow of the depths, where mystery and beauty mingle. The transparency of her dress strokes the water, revealing a delicate sensuality, while the light plays on her silhouette with subtle and captivating poetry. A suspended scene, between dream and reality, where elegance flirts with eternity.
Lou’s photographs resemble enigmas. Bodies are fragmented, blurred; they reveal themselves or hide, playing with what we know about them to tell something else. But tell what? First, impressions: in the Opaline series the fleeting happiness of an apparition, that of a fragment of solitary landscape stolen from the darkness [..] What truly remains of the body is the erotism of this skin photographed, with a great deal of modesty nonetheless, like a caress, delicate as a whisper. By becoming only pure form, pure image composition, its surface expresses the invisible that animates it, but refuses to name it. She is content to be a quest of the gaze, this quest of the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
